Worst films of 2017…

A few days back I wrote about a few “Best Movies of 2017” lists (you can read them here) but now that we’ve dispensed with those stuck up high brow (I kid, I kid!) lists, let’s get into the meat of the matter:

The worst films of 2017.

Let’s start the fun with…

The AV Club’s Worst Films of 2017

I won’t give it all away, but of the films listed I was aware of 16 of the 20 films listed and hadn’t seen a single one of them.  Of the ones listed, there was only one that I wanted to see, at least based on its trailers (I found them amusing), the Amy Poehler and Will Farrell comedy The House.

The reason I wound up not going to see it?  Because the reviews were absolutely brutal and I didn’t want to waste my time.

Perhaps I made the right choice?

Ah, that barely whet’s my appetite…

Over on RollingStone.com, the focus appears to be on “big” studio film releases for their list…

RollingStone.com 10 Worst Movies of 2017

In this case, I know all the films presented.  One of the listed films, Valerian and the City of a Thousand Planets, I have sitting next to my DVD/BluRay player, my most recent Netflix film.  I’ll watch it, though I don’t expect much.  There’s a second film on the list, the Tom Cruise led The Mummy, which I may give a shot.  We’ll see.

EntertainmentWeekly.com presents a slide show of…

EW’s 10 Best and 5 Worst Films of 2017

Note that I set the link above to the start of the 5 Worst Films of the Year.  You can go backwards if you want to see what they consider the best films, but I want to focus on the worst.  Once again, I’m familiar with all five films presented.  Their #1 worst film, The Emoji Movie, seems to be making multiple rounds in these lists…

If you’re really into such lists, then you’ll be in nirvana (or on overload) with this list…

Telegraph.uk.’s 62 Worst Films of 2017

Basically, this list appears to be a compilation of the films this particular group didn’t like over the past year.

I’ll stop there, for now!

After not seeing it coming, an examination…

Yesterday I was frankly stunned to find that over on rottentomatoes.com the latest Star Wars film, Star Wars: The Last Jedi, after receiving so much near universal love by critics (who currently have the film at a very lofty 93% positive), has far, far less love from audiences.  Yesterday, only 57% of them felt the film was good.  That rating has dropped a point to 56% today, with a total of 97,100+ reviews.

As a comparison, the much reviled Batman v Superman: Dawn of Justice has a 63% positive with nearly 230,000 audience reviews offered.

I still find this just… incredible.

If nothing else, Star Wars: The Last Jedi (let’s refer to it as LJ from here on) is -obviously!- splitting audiences and fans almost right down the middle.

Because I clearly have way too much free time on my hands, I read through many of the audience reactions presented, both positive and negative, and found the following (and this ain’t brain surgery, folks):

The reactions are split into three distinct camps:

  1. Those who love the film
  2. Those who feel the film was good but not great (this seems to be the smallest group)
  3. Those who hated the film

The ones who love the film feel it was an emotional tour de force, that it was filled with great action, excitement, and plenty of surprises.  They felt an emotional connection to the cast and characters and were floored by many of the surprises presented within the feature.  Some have also noted the film actually presents a clever theme: One involving failure.  Each and every main character in the film, they note fails in their own way, which may well be a way of then showing them, in the next film, learning from their mistakes and succeeding where they failed before (until the final film in this most recent trilogy is released, obviously, this is a complete guess on my and some other audience reviewers’ part).

The middle group, which appears to be the smallest of the three groups offering their opinions on the film, note, among other things, that LJ is a decent/good “action/sci-fi” film but not a very good Star Wars film.  In other words, that this film doesn’t feel like it belong to the others, and many wonder whether director/writer Rian Johnson “gets” the Star Wars universe.

I find that analysis fascinating because, to some degree, this critique, only far more negative, appears and repeats by many in the third group, those who feel the film is terrible.

Many of these complaints center on the story: That it is full of holes, that there are parts of it that were better left on the cutting room floor.  Though I haven’t seen the film, some of those who even liked the film admitted its second act was too slow and/or unnecessary.

Now, let me repeat: I haven’t seen the film but as I didn’t think I’d catch it in theaters anyway, I didn’t mind reading some of the comments and critiques and having parts -indeed the whole- of the story spoiled.

Another bit of criticism I’ve found repeated by many who didn’t like the film (and even among some who did) was that they felt the film’s makers had contempt for the character of Luke Skywalker.  That’s not to say they thought Mark Hamill was bad in playing the character again over for the first time after so many years.  Quite the contrary, most feel his acting was one of the film’s highlights.  What they felt was bad was what he became since last seen in Return of the Jedi.

What’s fascinating about that is that before the film’s release, actor Mark Hamill, in an interview with Vanity Fair, said the following regarding his reaction to first reading the film’s script:

…after reading Rian Johnson’s script for The Last Jedi, Hamill said, “I at one point had to say to Rian, ‘I pretty much fundamentally disagree with every choice you’ve made for this character. Now, having said that, I have gotten it off my chest, and my job now is to take what you’ve created and do my best to realize your vision.’ ”

Good, bad, or indifferent, clearly the film will make huge box off money this week.

The big question, given how many people seem to not like the film: How big of a drop off will we see in week 2?

I’ll most certainly be curious to see.

Time, as with so many other things, will tell.

I did not see that coming…

Arguably the release of Star Wars: The Last Jedi has been one of the, if not the movie most sci-fi fans have been  anxiously awaiting.

Word was this film was very well received, and Disney studios so pleased with the final product, that director Rian Johnson was given free reign to create a new Star Wars trilogy which, according to him, didn’t even require much of a pitch.

Then came the reviews, and they were for the most part ecstatic.  Currently, the film is currently charting an incredibly high 93% positive among critics.  I wrote, however, a couple of days back about the fact that a) Rottentomatoes has a habit of lumping films into a good or bad category with little space for grays, and b) based on at least one review I found (granted, an exceedingly small sampling) I further wondered if maybe the critics were enamored more the Star Wars brand and were perhaps willing to overlook the film’s flaws.

Regarding that later point, I wondered if that was the case that maybe this film, like the Prequel films before it, would over time find people re-assessing their views on it.  I’m old enough to recall that the Prequel films -each and every one of them- were met with near complete adulation but over time people’s opinions of them soured and many now view them as not very good.

So too was the case, for some, with 2015’s Star Wars: The Force Awakens.  People loved the film when it came out and it made a boat load of money but now, two years later, I suspect many see the film in a somewhat harsher light, even if they may not feel it was a complete bust.

Having said all that, what I didn’t expect, not in a million years, was the audience/fan reaction to this film.

As I mentioned above and if you go by rottentomatoes.com, critics loved the film.

Audiences?

Not so much.

Again, click here for the rottentomatoes.com score for Star Wars: The Last Jedi and you’ll find that while critics are 93% positive, audiences are at…

…hang on to your hats…

57%

Let that sink in for a moment.

The Force Awakens currently has an 88% positive rating by audiences over on rottentomatoes.com.

For further comparison, let’s look at the audience reaction to two recently released (and still in theaters in one case) action/adventure/sci-fi films that one could say are in the same general genre field:

Thor: Ragnarock has a 88% positive rating among audiences.

Justice League has an 80% positive rating among audiences.

Whoa.

Also being released this weekend and to little fanfare is Beyond Skyline, a sequel to a barely remembered sci-fi alien invasion film.  Currently, its rottentomatoes.com audience approval rating sits at 55%, just two points below Star Wars: The Last Jedi.

As I said before, I did not see this coming at all.

As you also may know, if you’ve been following this blog for any length of time, I’m not a huge Star Wars fan.  Though I was of the right at at the right time when the original film was released way back in 1977 and had/have a huge interest in all things sci-fi, Star Wars simply didn’t do all that much for me.

Mind you, that doesn’t mean I’m feeling glee at these frankly shocking review numbers.  I’ve always been a “live and let live” type guy and if Star Wars is your sci-fi nirvana, more power to you.

Even if Star Wars doesn’t do it for me personally, being so into sci-fi, I’m intrigued to read about the latest news/reviews on any sci-fi works, including Star Wars films.

Now, we are in only the opening days of the release of this film so perhaps people’s opinions will change in time.

The big question is: Will these opinions mellow over time, or become still more harsh?

We will see.

Oh… my… Part Deux

There’s this tempest (in a teapot?) going on regarding singer Taylor Swift and some statements she made via twitter regarding her 28th Birthday.

Now, before I get a little farther along, let me say: I think I know, like, one song of Ms. Taylor’s.  I vividly recall catching a performance of hers a few years back at some award show -this was when she was still mostly doing country music- and thinking “There’s a reason she’s popular”, even if her music then, and now, doesn’t necessarily appeal to me.

Having said all that…

So what did Ms. Taylor say?

Below a picture of her standing before a filled-to-the-gills stadium performing, she writes:

I love you guys so much. This was a photo @paul_sidoti took at @capitalofficialJingle Bell Ball in London a few days ago. I couldn’t have asked for a better year, all thanks to you. Thanks for all the birthday wishes. Can’t wait to see what 28 will be like. See you on tour 😄

What’s so controversial about that, you ask?  It boils down to this:

I couldn’t have asked for a better year

To which people who have viewed 2017 as a horror show -I’m one of those who agree with that sentiment, and calling this past year a ‘horror show’ is, IMHO, putting it mildly- responded in kind.  How so?  You can read some of the reactions in this article, presented on Huffingtonpost.com and written by Lee Moran:

Taylor Swift said she ‘Couldn’t have asked for a better year’ and divided us all

Among the more humorous responses, Rich E stated:

I mean, yeah there were Nazi’s and white supremacy marches, and families are being town apart, and there were mass shootings, and people are losing health care, but none of that affects me, so 2017 was great!

There are a few others presented, but my favorite is probably this one, written by Dana Schwartz:

Read the room, Taylor.

To defend Ms. Taylor, she’s young, she’s likely been living in her own bubble with (understandably) her own interests and has made it a point of -or, perhaps, simply has no interest in- things outside this personal perview, especially in the political field.

So, yes, enjoy your birthday and your continued, hard earned success, Ms. Taylor.  But, perhaps, you may want to start considering your statements -as indeed everyone should!- and if they’re maybe/kinda/sorta tone deaf.

Oh… my…

Reading this story should make everyone think twice about sending something valuable through one of the several parcel services.

The article, written by Maria Perez and presented on Newsweek.com, is about how…

UPS Loses Family’s $846K Inheritance, Offers to Refund $32 Shipping Fee

As with so many of the stories I present links to here, you should read ’em if they intrigue you, but as always, I’ll spoil things a little bit here by going into the article.

So here’s the thing: A Canadian man has a nearly $1 million inheritance.  He agrees to have the money delivered in a bank draft and sent to him via UPS and, well, the bank draft is lost in the proverbial mail… and, hilariously, UPS offers to refund the shipping fee for the loss.

Here’s the thing: A bank draft can be turned in by anyone.  It is not like a check where you can cancel it and issue another.  Someone, somewhere, might get their hands on that check and, viola, get their hands on the money on it.

So far, no one has done this and, it strikes me, the Bank could figure out a way to flag someone illegally trying to cash in that bank draft and issue a new one for the gentleman whose money they’re withholding because of that.

I suspect the gentleman in this article will eventually get his money, but of course he’s gotta go through those idiotic hoops before the bank finally figures out the proper way to do this.

At least I hope he does!

Disney buying up most of Fox Entertainment…

Woke up today to the news that Disney is, as the headline right above states, buying up most of Fox Entertainment’s assets.  The link below is to a CNN article written by Hadas Gold and Charles Riley concerning that big bit of news…

Disney is buying most of 21st Century Fox for $52.4 Billion

To comic book/movie geeks like me, this means that Disney, who owns Marvel Comics and the characters, nonetheless did not have the right to make movies using the X-Men, Fantastic Four, and only until recently, Spider-Man, even though those characters and the ancillary characters around them were part of the Marvel Comics stable.

Why?

Because there was a time, believe it or not, when Marvel Comics wasn’t doing all that well financially and the rights to the movie versions of these properties were sold to what eventually became 21st Century Fox.  These properties, ironically enough, were THE most popular properties in the Marvel stable, so when the Marvel films first started coming out, they were forced to use “lesser” characters at first.

Sure, people knew the Hulk and Captain America, but Iron Man wasn’t a big character.  Thor, also quite well known in comic book circles, was hardly a Marvel “A” lister.  So too the Guardians of the Galaxy.

But the movies were successful beyond anyone’s dreams and, voila, the Marvel films were hot hot hot and when Disney purchased them, lock, stock, and barrel, they continued the success… and even managed to procure the use of Spider-Man.

I suspect that small opening allowed Disney to continue their negotiations with Fox and, today, it looks like we’ve come to the logical conclusion.

So, now what?

Will we see the Fantastic Four and X-Men finally come into the Marvel Universe?

I strongly suspect we will.

And… it kinda depresses me.

Look, its nice that the Marvel properties, both in print and in theaters, are now going to be under one umbrella.  The properties should be together as they always were in print.

However…

Is it me or are we rapidly coming to the point where our entire lives are going to be influenced by only a handful of companies?

Think about it: In entertainment Disney, Warner Brothers, and Sony are a trio of incredibly big and influential companies.  Fox was, too, but now Fox is part of Disney.

I could go on with other companies, such as Amazon and Apple and Samsung and Microsoft and… the list sure seems to get smaller and smaller, no?

One other thing: Fox owns the rights to the original cut of Star Wars (1977).  Now, supposedly George Lucas, when he sold his Star Wars properties, put a clause in there nixing any release of the original cut of the film.

But now Disney actually owns that cut (again, this was like the Marvel deal, while Disney owns the Star Wars properties, Fox had the rights to the original theatrical version of the original film).

The big question: Will they finally release it?

Star Wars: The Last Jedi on Rottentomatoes…

I like looking at the overall ratings of movies on the rottentomatoes.com site and often find the information fascinating.

There has been, however, plenty of criticism leveled at the website and some is very legitimate.

For example, I suspect this site contributed to the overall negative feelings toward the release of Justice League.  By holding back their overall score when two days before that movie’s release reviews were open to the public, rottentomatoes decided to premiere their overall results days later on their own “show”.  This made many speculate/suspect (darkly) that Warner Brothers was somehow holding back reviews and that the film was of course a total bust… this despite the fact that reviews were open -again!- two days before that movie’s release.

(Btw, in my opinion Justice League did about what it should have, box office wise, in the end.  It was a fun film, IMHO, but it was clearly something of a Frankenstein monster.  The fact that it was as good as it was considering all the stuff happening behind the scenes and the -also ridiculous- need to release it when they did (come on, Warners, you’ve had a great year in box office take… you could have delayed the film’s release to get it done “right”) is a tribute to the talent of the people behind -and in front of!- the camera.)

Anyway, Star Wars: The Last Jedi is two days away from being released (Just like Justice League was!) and rottentomatoes.com has the movie current pegged at an impressive 93% positive among critics.

I checked out some of the reviews and, not to sound like too much of a overly detail oriented fuddy-duddy, I’m beginning to think rottentomatoes’ black and white “good or bad” system of scoring could use shades of gray.

Understand: I’ve not come to some startlingly original/new realization here.  There are plenty of others out there who have noted sometimes a film is listed as “fresh” (ie, good) or, conversely, “bad” on rottentomatoes when the review itself is far more nuanced than those two black and white terms would suggest.

As I was going through the reviews (clearly having waaaay too much free time on my hands this A.M.), I stumbled upon this review by Josh Larson and presented on larsononfilm.com as a “fresh”/good review.

What struck me was the quote listed next to his review on rottentomatoes (which had a link to the full review) and the score given to the film.  First, the full quote from Mr. Larson’s review: …a bit of a placeholder.  The reviewer’s score was listed below that: 2.5 out of 4.

Hardly, I felt, an enthusiastic sounding review!

Looking for more information, I clicked on the full review (and you can do the same if you want to with the link a few paragraphs above) and, while I tend to agree that overall Mr. Larson’s view of the film is positive, it is hardly a slam dunk in favor of the film.  Indeed, and I’ll freely admit that maybe I’m reading between the lines, I get the impression from the review that Mr. Larsen is one of those Star Wars fans who is grasping for positives while (perhaps more reluctantly) pointing out the negatives.

There is, alas, reason to believe this might be the case.

Opinions on films -indeed, most art forms- can be very fluid.  What you may like -or detest!- at one moment might become, over time, viewed in the opposite manner.  As I’ve stated before, I’m a HUGE fan of Alfred Hitchcock’s films (though Alfred Hitchcock, the human being, was a very weird individual).  Yet for many years I couldn’t understand why people liked The Birds as much as they did.  I’d seen it and thought it was a bust, a strange film with a very strange plot and even more strange ending.

And then it occurred to me one day, out of the blue, the film was Mr. Hitchcock’s incredibly clever subversion of what was a very popular movie genre to that point: The radioactive/supersized monster films that followed in the wake of the release of Godzilla.  Only Mr. Hitchcock took just about every one of that then-fresh genre’s cliches and subverted them completely.  While in films like Godzilla you have a spectacularly big creature wrecking everything around (and usually taking down famous monuments), in The Birds you had ordinary, everyday creatures attacking a picturesque but essentially no-name place.  In films like Godzilla, you have things like a massive military fighting off the monster, a brilliant scientist usually coming up with a way of taking down the monster, and our heroes ultimately triumphing in the end.  In The Birds, not so much.

Getting back to Star Wars, when the originally trilogy was done and the new, prequel trilogy was announced, the movie’s myriad fans understandably went nuts.  When the first of the films, The Phantom Menace, came out, reviews were generally positive among fans and critics, but over time (and unlike my feelings toward The Birds), those same fans and critics re-assessed the movie and today many view it as mediocre or outright poor.  Feelings regarding the two follow-up prequel films tread the same general pattern, first elation and then reassessment.

Even for 2015’s Star Wars: The Force Awakens, the first of the “new” Star Wars films being released by Disney, the early reviews by fans and critics were mostly ecstatic but over time, some noted the film’s flaws and once overall fawning reviews has since cooled.

At least somewhat.

While TFA is still viewed mostly positively (I think, anyway), I suspect there are few today who view it as being “up there” with the best of Star Wars… perhaps it falls just shy for some and/or lower for others.

Regardless of all this, I know the latest Star Wars film will do extremely well upon its release two days from today.

As for me, I’ll catch it at some point, perhaps before I catch Rogue One.

Huh…?!

Over on HuffingtonPost.com, Ed Mazza writes about that weird, almost tube shaped interstellar object named Oumuamua…

Image result for Oumuamua

…which is coming into our solar system from somewhere (gulp) outside and that…

Scientists To Study Mysterious Interstellar Asteroid For Signs Of Alien Technology

Ok, before you fly off the handle (and at the risk of spoiling things in the fascinating article I just linked to above), this from Avi Loeb, professor of astronomy at Harvard University:

Most likely it is of natural origin, but because it is so peculiar, we would like to check if it has any sign of artificial origin, such as radio emissions.  If we do detect a signal that appears artificial in origin, we’ll know immediately.

Then there’s this quote, also found in the article, by Yuri Milner, the Silicon Valley billionaire behind the initiative looking into checking the object out:

We don’t want to be sensational in any way, and we are very realistic about the chances this is artificial.  But because this is a unique situation, we think mankind can afford 10 hours of observing time using the best equipment on the planet to check a low-probability hypothesis.

Again, from the article:

Oumuamua’s unusual cigar shape ― 10 times longer than it is wide ― was also “the most likely architecture for an interstellar spacecraft since this would minimize friction and damage from interstellar gas and dust,” the organization said. However, “a natural origin is more likely.”

So there you go.  While the odds greatly indicate Oumuamua is a “natural” object, because of its weird shape and that its come from outside our solar system, why not check it out and see if any signals come from it?

Have to tell you, I get chills thinking about it.  Kinda/sorta reminds me of some of the stuff I’ve written…!

Louis C.K. and that curious film of his…

Hard to believe but there was a time not so terribly long ago that Louis C. K. was viewed as a daring, cutting edge comedian whose act was considered quite daring and at times “true to life”… except, of course, when it turned out it was a little too close to his “real life”, which consisted of some pretty icky sexual predilections.

Once revealed, Louis C. K. became another of those faces of sexual harassment, a man who had masturbated in front of women, and -at least somewhat to his credit- he admitted to the fact and, like others exposed, issued an apology and to date disappeared from sight.

What was left in the flotsam was the fate of his just about to be released film, I Love You Daddy, which, given the revelations against Mr. C. K., suddenly is a film that took on too strong a “realistic” sheen (Dana Stevens, an admitted now ex-fan of Mr. C. K., reviewed the film here and noted how based on the revelations against him, she has found herself re-assessing the things he did on TV and standup and things that might have been funny before became far more sinister).

Anyway, Mr. C. K. has, according to this article by Anthony D’Alessandro over at Deadline.com, bought back the full rights to that film from the studio that was to release it:

Louis C. K. Buying Back I Love You, Daddy Following Scandal

There is speculation regarding Mr. C. K.’s motives for doing this.  Will he release this movie through his website?  Could there be enough money to be made on this now controversial film?

I wonder if there is an even more intimate reason: As an artist, one wants to “own” one’s work.  They’re your babies and owning them is something every artist wants… for better or worse.

I was never a fan of Louis C. K., but that’s due to ignorance and nothing more: I’ve never seen him either on his TV series, stand-up, or otherwise, and therefore have no opinion on his talent(s).

Yet I’m curious… if he does release the film on his own, how will it do?  Will he ever find redemption among the public?

Or is his career, as it appears at this moment, essentially done?