Category Archives: Comic Books/Graphic Novels

Comic Books/Graphic Novels

Artistic tropes…

Since discovering eBay (yeah, I know, really late to this party and all) I’ve been on something of a tear picking up books I either used to have back in the day or wanted and never got or, if I’m being honest, simply buying stuff that was released at a time I found the stuff around it fascinating.

Now, I’m not going to say it’s all top tier stuff. It’s not. But, dammit, I like it.

As I’ve been picking up horror titles released by DC Comics in the 1970’s (favorites of mine), I came to a realization and, as I’m on a Facebook group devoted to horror titles, I posted this realization. I find it fascinating enough to reprint and expand on it here.

Even if you’re not a fan of the titles released back then, I hope you find this stuff interesting!

Below are four covers to DC’s The Witching Hour! horror book. From left to right, we have Witching Hour 45, 31, 52, and 55.

I’m sensing a pattern here!

The first two Witching Hour covers -both drawn by the incredible Nick Cardy- were so similar as to almost be identical. I was very familiar with the first but until a couple of weeks ago didn’t realize the second with the witch, actually came out first.

When I saw that “witch” cover, I immediately realized it was virtually identical to the one with the red demon-like character. Hell, even the dialogue is virtually identical in both covers. Both illustrations are by the incredibly talented Nick Cardy and upon realizing they used similar tropes, a subsequent realization hit me…

There are many DC horror titles released during the 1970’s which feature this particular trope of a person coming through a door/threshold (often they are on the left side of the page) and, beyond that door/threshold is something “evil”. The evil things is often presented on the right side of the page.

With this realization I started going over my collection and found the trope in several other titles. The two Witching Hour covers below the original ones, for issues 52 and 55, use that trope well. Again, your “innocent” coming through a door/threshold on the left and, on the right, something sinister and evil which they are about to run smack into.

Below are a few more examples and, in this case, I wanted to highlight how the trope is used but minor modifications are also added to it. The first cover below is for The Unexpected #131. This cover follows the trope exactly: You have your “innocent” character on the left, a door they’re about to go through, and the “evil” they’re about to encounter on the right side of the page.

The other three covers, however, show mild variations of the trope. The second cover, from Ghosts #27, modifies the trope a little. The “innocent” character is roughly in the middle of the page and the evil they are encountering after passing through the door/threshold is all around and in front of them. Of note too is the fact that often the innocent is about to encounter the evil but hasn’t yet (anticipation, I suppose!) but in this case, the characters are already reacting in horror to what they see in front of them.

The last two covers, for The Unexpected 154 and The Witching Hour 46, share minor modifications from the original trope. The “innocent” character is on the right side of the illustration and going through the threshold. The evil thing is on the left side of each cover. As before, the innocent character is about to be shocked but isn’t quite there yet.

Now, just to be clear: Not every cover of every DC horror book employed this trope. Enough of them did so as to make me realize it, but this wasn’t something you saw in every horror book.

Secondly, I point this out not to put down the artists -frankly, I absolutely LOVE all this stuff!- but rather to examine the types of covers and tropes used during that time.

Clearly this type of cover was a success for DC comics and the reuse of the trope further shows this to be the case.

Either way, I’m loving picking up all these books and stumbling upon this particularly fascinating -to me anyway!- realization.

Comic Books/Graphic Novels

Nostalgia…

Just discovered eBay and, yeah I know, I’m really late to this particular party.

Over the past few months I’ve flown around a bit and, unlike where I live, I’ve found comic shops with pretty healthy back issue bins and its been ages since I’ve gone through back issues and picked out stuff from the past I might have had at one time and which now I really want to get my hands on again.

So I did so, but once I got back home, it was back to not having access to that stuff. Truthfully I don’t know how exactly it happened but I must have started looking around and realized I could essentially look around the entire country’s worth of stock and find copies of all that interesting stuff I used to have and no longer do.

Again: I know I’m really late to this party and I know to some it may be nonsense but…

This is a copy of Weird War Tales #39 I picked up. It has a cover date of July 1975 and I figure I must have gotten my hands on this in and around that time period… though I have no way of knowing how exactly. Over time I lost this issue but elements of it stuck with me.

In the 1970’s DC would release a vast array of comics, from superhero works (I suppose their bread and butter) but also westerns, war books, and horror series. Weird War Tales married horror and war and was a fascinating series which had some fascinating stories through its 12 year, 124 issue run.

The primary element of the above issue is Joe Kubert’s magnificent cover. Joe Kubert, to me, was pretty much the king of DC comic books covers from the late 60’s and through the 70’s and into the 80’s. If DC should decide one day to release a Omnibus edition of all the covers he created, from war books to horror books to superhero books to pulp books… I’d be the very first person in line to pick it up. The three stories presented in the book were a revelation as well. I recall the first one the best, especially its final panel which chilled the hell out of me as a kid.

I obviously wasn’t going to stop there, right? Continuing the haunted nautical theme, I also picked up Weird War Tales #27, July 1974. This one I don’t believe I had before but I recall seeing advertisements for the book in other comics I did have so it was a no brainer to buy this one. The cover here is by Luis Dominguez, I believe (a website lists it as being by Frank Robbins but I don’t think so… he did illustrate the first story so I suspect this might have been a small error). While Joe Kubert was IMHO the king of DC comic books covers, Luis Dominguez wasn’t too far behind. He made some magnificent horror and western covers during the 1970’s as well!

Here we have another book, Unexpected #161 from February 1975. I absolutely loved DC’s 100 Page Spectaculars. More comic book stories and pages? Sign me up! The cover this time around is by Nick Cardy. He’s yet another spectacular DC cover artist from this era who created terrific covers after terrific covers. I had this book way back when and the two stories depicted on the cover in particular are wonderful!

Finally, here’s the Jonah Hex Spectacular released in January of 1978. This was another book I had way, waaaaay back when that really turned my head when I read it. Or rather, read the first story which involved Jonah Hex.

Written by longtime Hex writer Michael Fleischer and illustrated magnificently by Russ Heath, the Jonah Hex story “The Last Bounty Hunter” tells the “last” Jonah Hex story… and its freaking brutal.

In 1904 an elderly Jonah Hex fights Father Time. He has to wear glasses and isn’t the young hellion he used to be. He gets involved in a bounty and the results wind up being very tragic.

This is very much meant to be a final Hex story and I’m shocked, even after all these years, that editorial within DC allowed such a story be made. Not that its a bad story, heavens no, only that it features such a wild end for what was a very popular character during most of that decade… and whose regular book was still being published!

Of note, the pretty terrible Johnny Depp Lone Ranger movie released a few years back ripped the Jonah Hex tale off with its framing device, which saw Tonto as some mannequin in a circus type place in the early 1900’s.

I don’t want to get into too many SPOILERS but, yeah, they ripped off Mr. Fleisher’s story there but without the sadness and shock that is found in the comic.

So for those who itch to recover things they had at one time long ago, sniff around eBay if you have the free time -and the cash to blow! You might find yourself picking up stuff you really enjoyed way back when…

…and I’m not just talking about comic books!

Books/Literature, Comic Books/Graphic Novels

Update on latest projects…

It’s been a while since I’ve provided an update on what’s going on with me and the works I’ve been currently doing.

I mentioned before that I’m working on two things simultaneously: A graphic novel project done in collaboration with an artist friend of mine and my next novel.

The graphic novel, from my part, is completely written and therefore the bulk of the work is on my artist-friend’s shoulder and it will be a little bit before we have enough material to publish the first of what I’m thinking will be three books.

As for my latest novel, a couple of days ago I finished the 2nd draft of the book. It’s a very full draft and presents the story’s elements from start to end. I was having issues, as I wrote before in some updates, about the way the book ends but I’m quite happy with what I’ve come up with.

It is, though, a second draft. As good as I feel it is, and I feel it is very good, I’m guessing there are things I’ll be adding to put more “meat on the bone” and make the book a little more fully realized.

Having said that, I’m confident that part will not take as much time as its taken me to get all those other elements together.

Bottom line is that things are certainly moving ahead and I’m looking forward to having some interesting releases… hopefully by a little later this year!

Comic Books/Graphic Novels, General, Movies

Still here….!

Ok, been another while since I last posted.

In that time, news came over that Al Jaffee had passed away at the age of 102…

Those familiar with Mad Magazine no doubt are familiar with that name. Mr. Jaffee had a very long career with the magazine and will likely be best remembered for his “Fold-Ins”, often found at the end of the magazine and which involved the reader folding in the final page and creating a new, humorous image. A before and after example:

He was a master of the comic book form and did other very humorous features for Mad Magazine and lived a very long and productive life.

I hope everyone has as long and productive life as he has!

*****

In other, far more depressing news, we seem to be having more and more shootings in this country and… I wonder when this will finally resonate with certain members of the Republican party.

Instead, they seem to be focused on “woke beer”. I wish I was kidding. Below is a couple of pictures taken from a YouTube video posted by illustrious musician Kid Rock wherein he mows down the ghastly beer and… sigh…

See, TikToker and trans activist Dylan Mulvaney became a source of controversy in the right-wing sphere when Bud Light announced she would be their latest spokesperson… or something.

Honestly, until this whole tempest in a teapot, I didn’t know Dylan Mulvaney. Here she is with the beer in question…

Seriously, that’s the reason to get all bent?

Sheesh.

Let me also say, for the record, that while I don’t consider myself a prude, I’m not into alcoholic beverages. I’ve tried plenty of different ones over my life but they don’t do much for me. If I’m honest, I don’t like the taste of beer at all, though I have found it can add a pleasant taste to some cooked meals.

Anyway, I suppose for those on the right it’s another reason to get incensed over something that in the long run doesn’t matter all that much at all.

But don’t worry.

Give it a week or so and they’ll find some fresh new hell to get worked up about.

*****

There have been plenty of other things going on, big and small, but I’ll conclude with this: The disastrous box office of Shazam! Fury of the Gods.

The sequel to the successful 2019 Shazam! film, there was a feeling this film simply didn’t have all that much demand. Early projections were very low and when the film was eventually released only three weeks ago, those projections proved accurate.

The film, which this week has become available to purchase digitally, likely won’t quite reach $60 million in the domestic box office.

What in the world happened?

The movie’s rottentomatoes.com ratings weren’t terrible. While professional critics to date offer a dead mediocre 50% positive rating on the movie, audiences were much kinder with a 86% positive.

Which made one wonder: With the also lackluster (but better) box office of Ant-Man and The Wasp: Quantumania, is it possible the whole superhero genre may be running out of gas?

It’s certainly possible, though word of mouth for Ant-Man was far more negative, I thought, than Shazam! The problem with Shazam! appeared to be that no one seemed to really care to see the film. Perhaps this has something to do with audiences feeling little need to see the “old” DC movies and having more anticipation for the new films James Gunn is producing.

I don’t know.

In time I suppose we’ll see.

Comic Books/Graphic Novels

Finally….!

Do you have this vague memory from your childhood, say a movie or TV show or perhaps a book or comic book that you read/saw/etc. and would love to see again but you just don’t quite know what the thing you read/saw/etc. was?

I have plenty of such fragmentary memories and, luckily for me, we live in an era where if you look around the internet with a bit of diligence you may eventually find such items.

In this particular case, it was a comic book story. I recalled it involved a guy -our main character- who goes to a cornfield looking for work. There, he meets Death. Death, as it turns out, is tending to his crop of corn.

The upshot of the story is that Death is looking for a replacement, someone who will tend to the crops and, at day’s end, take some of the grown corn to his shack where they will eat them. See, each individual kernel of corn has the face of someone who will die on it. Thus Death has its “meal” and those whose faces are on the kernels die, including (the story’s punchline) the main character’s wife.

For many, many, many years I’ve sought that story. I’ve longed to see it once again but I had only vague memories of where it could be.

I was certain it was published in a comic book released likely in the late 1970’s. I realized, after a while and after collecting horror comic books from that era, that it was likely a DC comic and I became certain, based on memory alone, that the artist who drew the story was likely Jerry Grandinetti.

While over the passage of years certain artists may become very famous and their work well known, others may fall by the wayside and be somewhat forgotten.

Jerry Grandinetti (you can read his Wikipedia entry here) was a great artist who was primarily known for doing DC war books.

His work was even (ahem) used by Roy Lichtenstein in a couple of his pop art pieces.

By the 1970’s his artwork had become very unique and, let’s be honest, perhaps a little too odd for popular consumption. The artwork, in my opinion, looked like comic book versions of The Cabinet of Dr. Caligari, expressionistic works with heavy shadows and almost bizarre backgrounds. The piece below appeared, based on what is written at the top of the page, in the DC horror title Unexpected…

It was because I spent some time into the 1980’s and 90’s (perhaps even a little beyond) collecting DC horror titles like The Witching Hour, The House of Mystery/Secrets, The Unexpected, and Ghosts among other titles and stumbling upon stories drawn by Mr. Grandinetti that I realized my memory of that corn-farming Death story was very likely drawn by him.

But where was it?

I couldn’t recall which of the DC horror books it was in. I couldn’t recall the cover of the particular issue it might have been in.

And over the weekend, I thought about that story and decided I would once again try to find it.

This time, I succeeded.

Looking around over the weekend, I found a website that offered a list of Jerry Grandinetti’s comic book work and, specifically, his stories presented in the DC Horror comics and, voila, I found House of Mystery 261 from October of 1978.

As you can tell from the cover alone (something I don’t recall, even though I do recall the Grandinetti illustrated story within!) it is obviously showing Death holding corn and, you guessed it, the cover very much ties into the story. The story is called “The Husker” and it wouldn’t surprise me if the Mike Kaluta cover (spectacular, by the way) was drawn first and Greg Potter’s story was subsequently written to tie into that cover concept.

Anyway, looking around a little more, I found a website which offered the contents of the issue and there, finally and after all these years, I once again read the comic and the Jerry Grandinetti illustrated story. There were, to be clear, other stories within the issue but for whatever reason they didn’t stick to my mind quite as much as the Grandinetti drawn piece…

I know it is a total dream on my part, but I would dearly love it if DC comics would collect and offer a large trade paperback of all of Jerry Grandinetti’s horror stories. As I mentioned above, I’ve stumbled upon other stories he illustrated while collecting DC’s horror books and each time I find a story drawn by him I’m delighted by his weird compositions, heavy blacks, and overall look.

Either way, it’s great to finally have this particular “itch” scratched after all these years!

Comic Books/Graphic Novels

Is it just me…?

I swear, it seems like the days are not just rushing by, but literally rocketing before my eyes.

We’re already three months into 2023 and I can barely remember 2022 at this point.

Anyway, as I pointed out a little before, I’m currently working on two things: A (gasp) graphic novel I’m working on with a wonderful penciller and my latest novel.

I’ve written before that the novel is moving along but I do still have to figure out the novel’s ending. I’m not quite there yet but when I do crack that particular nut -and I’m sure I will eventually- everything should fall into place.

As for the graphic novel, if all works as I hope, this will be the second graphic novel I’ve ever done… in collaboration with a wonderful artist, of course. My first is The Dark Fringe, which was the very first attempt at creating a full story…

I am loathe to get into too many details of this new graphic novel simply because we’re in the very early stages of this work and I’d rather start making formal announcements when the work is near release. I will say this much: The script is complete and if all works out, the book itself will be approximately 170 pages long. It will likely be released in three volumes at first before being collected into a single volume.

So far it looks terrific and I couldn’t be happier with the work of my friend who is drawing it.

Again, I’m being a bit cryptic here but revelations will be made when the time comes.

Until then, stay tuned!

Comic Books/Graphic Novels, General

Scott Adams…

…oh my.

I couldn’t tell you the first time I read a Dilbert comic strip. I can tell you that I quickly grew to love them back then, likely in the 1990’s or early 2000’s and before the internet swallowed up any need for me to still purchase newspapers.

I probably have a collection book or two somewhere of Dilbert strips. I liked the characters. I enjoyed the witty and bewildering look at being an office drone. Writing such humorous things takes quite a bit of skill and making it look “easy” takes even more. Having enough material to continue doing the strip for some 30 years? That takes genius.

But it doesn’t mean one is smart.

Back in the 1940’s and through 1977, Al Capp was renowned for his Li’l Abner comic strip…

Though known to espouse certain liberal causes, Mr. Capp would, by the late 60’s and into the 1970’s, become very conservative in his ideologies. He would end his career in controversy, accused by multiple women of sexual harassment, including a 19 year old Goldie Hawn.

And so we have Scott Adams who, with the rise of Donald Trump years ago, started to espouse a sharp right wing philosophy as well. There’s nothing wrong with espousing certain right wing ideologies, I feel, but there does come a point where they can slip a person into unforgivable areas.

Don’t take my word for it. You can go to YouTube.com and see the entirety of Mr. Adams’ video (it runs nearly an hour long) but here you get a smaller length clip that explores what has exactly happened since the video, and shows what got him into hot water to begin with…

The bottom line is that newspapers no longer want to carry Mr. Adams’ Dilbert and… I can’t blame them. I don’t know what goes through the mind of some creators. As I mentioned, Al Capp had his issues… and they may well have been even worse than those in which Mr. Adams currently falls into.

I’m familiar with and could mention other creators who have also espoused strange, perhaps even bizarre ideals and philosophies. The difference seems to be that today these things can be recorded, whether by others or by the person themselves, and posted with seemingly no awareness of how bad saying certain things may make them look.

Mr. Adams, if he was smart, has a nice nest egg thanks to his Dilbert strip. Based on the reactions thus far, he may need it because his strip may not exist for too much longer.

And, ultimately, he will have no one to blame for his misfortunes but himself.

Books/Literature, Comic Books/Graphic Novels

So… what have I been up to of late…?

It strikes me I haven’t provided much information about what’s been on my plate -creatively, anyway- for a while now.

One of the frustrating things about being a writer is that it takes a while for something to get done. It is more likely than not whatever project I initiate goes through various permutations and what comes out often isn’t anything like what I originally conceived.

Further, I don’t want to give details up… I want the project to be released fully formed and “done”, and that means giving “updates” on a project have to be free of many story details.

At the moment, I’m working on two projects… or rather I personally am writing my next novel while a good friend of mine -an extraordinary artist- is working on another project I’ve already written.

The novel is roughly halfway done. I’ve gotten most of the details of the first half of the book in place but have yet to fully flesh out the book’s last act. I’m getting there, thought.

As for the project done in collaboration with my good friend… I saw the first few pages of it and I can’t wait to see more. Again, don’t want to give away too much but after all the shit I’ve gone through and the sadness and madness of dealing with my parents’ passing, lawyers and judges, and banks… it’s really nice to get back to creative work.

Let’s see where things go…!

Comic Books/Graphic Novels, Movies

Henry Cavill is out…

…as Superman, that is.

It’s been quite literally years since the last time Henry Cavill donned the famous Superman costume for any significant length of time. It was back when Joss Whedon was doing re-shoots of the Justice League film which infamously had Cavill maintain his mustache from Mission: Impossible which was then digitally removed… quite badly.

Since then, there’s been speculation as to whether Henry Cavill would ever return to the character. To Mr. Cavill’s credit, he didn’t stoke the fires or try to pressure the studios. If anything, he’s been very low key about the possibility and (I strongly suspect on his side) hope of eventually returning to the character.

Cavill’s Superman would show up again, minus Cavill himself, in the first Shazam! film…

Yeah, they wanted Cavill to appear at the movie’s end in his Superman costume but couldn’t. Instead, they had another actor don Cavill’s costume and showed Superman from the neck down. A cheesy solution, I suppose, but what can you do?

Then, Dwayne Johnson’s Black Adam showed up and, at its end, fans of Henry Cavill had a distinct thrill at the end of the film… a cameo by Henry Cavill himself…!

I suspect this cameo -supposedly pushed by Dwayne Johnson himself- helped Black Adam draw what it did in the box office, though there are conflicting analysis of how well -or badly- the film did in the end.

Regardless, we had this article by Adam B. Vary appear on variety.com:

Henry Cavill: “I am back as Superman”

Alas, that cameo turned out -at least for the time being- Henry Cavill’s last big hurrah as the famous comic book character.

Yesterday and on Instagram, Mr. Cavill posted the following:

Again, Mr. Cavill takes the very high road and, without bitterness, announced his retirement from the character.

Warner Brothers has been, frankly, a mess of late and this is above and beyond their DC Comics properties. When James Gunn was announced as the new “head” of the DC properties, speculation began that maybe he would start with a “clean slate” and build from the bottom up with the characters… which would mean many of the actors we have come to associate with the DC properties might have seen their last appearances as such.

Interestingly, there are still a couple of “old” DC movies to come. There’s Aquaman 2, Shazam 2, and The Flash. There was, infamously, the Batgirl film which was cancelled after being close to complete and we also heard Patty Jenkins is out as Wonder Woman director. Is Gal Gadot also done with the role?

Jason Momoa, interestingly enough, supposedly met with Gunn and was ecstatic with whatever project they proposed he be in. The safe bet is that Momoa is going to play Lobo…

Truthfully when it was originally announced that Momoa was joining the DC universe, many thought playing Lobo was a no-brainer and Aquaman, who is most often drawn as this…

…seemed an odd choice.

I felt it worked in the end, but it doesn’t entirely shock me that Momoa may be cast as Lobo. If so, will his Aquaman days be gone?

As with so many other things, time will tell!

Books/Literature, Comic Books/Graphic Novels, Computers/Electronics, General, Movies, Music, TV, Video Games

What will become of the movie industry…?

Stumbled upon this rather grim article written by Tony Maglio and presented on indiewire.com…

Warner Bros Discover lost 2.4 Billion and Lionsgate lost 1.8 Billion and its not even dinnertime

The article rightfully wonders how film studios can survive with such staggering losses and, frankly, I wonder the same.

Looking at this from a longer view, it seems to me this is part and parcel of, of all things, the arrival of home computers and the internet.

Let me explain.

When home computers first appeared they were crude yet began changing the landscape. I’m old enough to have been part of the very first generation to have one way, waaaaaaaayyyy back in the early 1980’s. My first computer was the venerable Atari 800…

Compared to what we now have, the Atari 800 was a laughably crude and for the most part primitive machine. And yet I almost instantly found a use for it. See, I was in high school at the time and the word processing program it had allowed me to write reports and get them printed out (on an equally crude and extremely slow printer) which was an incredible blessing!

No longer did I have to use a typewriter and white out errors or have to start all over again when I made too many errors. With Atari’s Word Processor, I could type and correct the whole thing and print it out only when it was ready!

A truly marvelous innovation!

Of course, the Atari computers didn’t last and soon IBM and Apple computers appeared. Apple was viewed as more “graphic” intensive but the IBM computers seemed to have the leg up. They were constantly improving and, like the mania to buy new iPhones or new gaming computers, one expected each new generation of IBM or Windows based computers to be better and better.

And they were!

And then came the internet, which is essentially phase two.

Now, you could interact with people all over the world. You could communicate via email. You could send files…

When MP3s became a thing, you no longer needed to store your music on CDs or have those vinyl records (by then, cassettes were a thing of the past and, yes, I know vinyl records are making a comeback).

You could keep your music on your computer and soon enough, even buy albums digitally without having to leave the comfort of your home. Suddenly, all those music stores I frequented -some of which were incredibly large!- were gone…

Then came the Kindle and the iPad and, as with music, now you didn’t need to actually buy physical copies of books. You could buy digital copies and buy and read them in the comfort of your home and, just like that, bookstores also became something of a thing of the past.

Certainly in my area there are only a fraction of them around like there used to be!

Alas, next in line were movies.

With the ability to create music and book files, it wasn’t long before digital copies of movies became a thing as well. Further, Netflix appeared and showed the industry that streaming was also a viable option to watching movies and TV shows.

However, people still went to theaters to see the latest releases, so things seemed to be going ok…

Until COVID hit.

Suddenly people were homebound and the studios had to hold back on releasing their upcoming films. In some cases, these films eventually were released but appeared on streaming services very quickly afterwards. It’s fair to say that films such as Wonder Woman 84, No Time to Die, and Tenet, regardless of their quality (and I know some feel they’re not great films at all), would have performed far better had COVID not kept them from being released as they should have been… and those are the three “biggest” films I can think of offhand which were victims of COVID.

Here’s the thing I’ve come to notice after spending all these years watching the ebb and flow of entertainment: Something that is big at one point might suddenly become old hat really quickly.

There was a time disco music ruled. Then, suddenly, no one wanted to hear disco music. There was a time grunge ruled. Then, it was gone.

Movie theaters for so many years have been THE place to go see new films. But with COVID, we stopped going to them en mass. Yes, there are exceptions (Top Gun Maverick and the latest Spider-Man film being two of them) but in general the entire industry is in a funk.

And now that COVID is somewhat a thing of the past (get vaccinated, people!) we’re seeing that audiences aren’t necessarily flocking back to see the latest movies. At least not quite yet.

For we have seen movies appear on various streaming services and some of us figure we’ll just wait a month or two and see whatever film is currently in theaters then.

It’s happened to me, quite frankly, with Black Adam. I’m certainly curious to see it (Dr. Fate is a favorite comic book character of mine and the fact that they got Pierce Brosnan to play the role delights me!) but frankly… I can wait.

How many other people are saying the same thing?

I’ve mentioned it before to friends of mine, but we still don’t know the extent to which the internet and home computers will affect our lives. We’re seeing it, day by day, from the early days when I realized I could use a Word Processor to write my High School reports, to realizing you can have your entire music collection on a small memory card to realizing you can have your entire library (books, comic books, magazines, etc.) on a memory card as well, to where we now realize we can stream or own movies on that same memory card.

Where will it all ultimately end?

I guess we’ll all find out together.