Ash vs Evil Dead: “El Jefe” (2015) episode review

He’s back and I couldn’t be happier.

Count me among those who loves Bruce Campbell’s Ashley “Ash” J. Williams character featured in the films The Evil Dead (1981), Evil Dead II (1987) and Army of Darkness (1992).

Which means that with this past Halloween weekend premiere of “El Jefe”, the first episode of Starz! Ash vs Evil Dead, it has been a mind boggling twenty three years since we’ve seen a healthy dose of our anti-hero/screwup in action.  Sure, Mr. Campbell made a cameo appearance as Ash at the very end (after the credits) of the disappointing 2013 remake/reimaging of Evil Dead, but that’s all it was, a few seconds’ long cameo…

Here we finally, finally get what we asked for: Ash front and center doing what he does best: Kick demonic ass while simultaneously making an ass out of himself.

For that’s what the crew behind the original Evil Dead films discovered: That graphic, splatter horror could be merged with comedy to create something unique for these times.  While this wasn’t an entirely new idea (years before Abbott and Costello meet up with, among others, Frankenstein, the Wolfman, Dracula etc), the character of Ash, a knucklehead with a penchant for spouting some of the strangest/hilarious lines…

…was.  He’s a clod, a dim bulb.  An arrogant, selfish fool who nonetheless has one very unique ability: To effectively fight evil.  Though the first Evil Dead movie was more of a straight up horror film, it was in the second Evil Dead this unique comic-Ash character really flowered.  The clip above, from Army of Darkness, continued and expanded on that interpretation.  Ash was the dufus character from a comedy that just happened to find himself in a full fledged horror feature.

Happily, Ash vs Evil Dead follows that path beautifully.  Though older, Ash is certainly no wiser.  In fact, other than dentures and a bigger belly, he’s the exact same fool fans have come to know and love.

The first episode of this 10 episode series (with a second season already approved!  Yay!) succinctly re-establishes Ash while introducing us to his modern world, a place where he’s still a low level worker at the “Value Stop” chain (alas, the S-Smart found in Army of Darkness -and indeed all the elements present in that movie- could not be used in this show as that film is owned by another studio.  No big deal: Strong continuity isn’t an important element in the Evil Dead universe).  Ash also remains a lothario, readying himself in comical fashion in the opening scenes to cruise down to a seedy looking bar and pick up the only woman in the establishment…by lying and boasting about how he lost his hand (one can imagine how many times before he’s used this pick up line).

But all is (of course) not well and Ash realizes the evil he faced all those years before may be back.  And the person responsible for its return could be…Ash himself.

I won’t go into all the details of this episode but we are introduced to a larger cast of characters who will accompany Ash on this new adventure.  Some, like Lucy Lawless‘ Lucy appear only for a few seconds in this episode while three other regulars are given more time.  Whether there are more characters to join in this journey, I’m not sure.

Yet.

If you’re at all into Evil Dead and, more specifically, the legend that is Ash, you’ll have a blast with this new series’ first episode.  Let’s hope what follows is up to this highly entertaining premiere.

Extinction (2015) a (mildly) belated review

Perhaps the most fascinating aspect of Extinction, apart from the casting of two popular TV actors in the lead roles, is the fact it is a movie that uses a by now perhaps too common trope, that of a “zombie apocalypse,” to instead tell the tale of friendship gone very sour and the possibility of its redemption.

The relationship between the two leads, played by Lost’s Matthew Fox and Burn Notice’s Jeffrey Donovan, is never really explained.  Are they good friends?  Brothers?  Brothers-In-Law?  We never really know, though the film hints that their relationship existed a very long time, to when they were kids.

The movie begins with the two of them on a bus filled with other people.  Two heavily armed soldiers watch over the group as the bus, and another in front of it, head to some kind of safe ground. Perhaps they’re being moved to a military base or perhaps an airport to transport survivors somewhere else.

The two accompany Emma, an attractive young woman carrying a very young baby.  Tension rises as the child cries, and rises still more when the bus in front of them stops and doesn’t move.  Through the darkness the group cannot see what’s going on in the bus in front of them.

And then a gunshot is heard and soon all hell breaks loose.

In the ensuing chaos we discover our leads care deeply for Emma and her baby, and when a zombie-ish (they may be zombies, they may be people stricken with some kind of rage virus) attack hits their bus and, eventually, results in Emma getting bitten, we abruptly transition to nine years later.

We find that humanity may well be gone while Earth has entered a new Ice age.  Our two leads live literally right across from each other in barricaded homes but no longer speak to each other.

Jack (Jeffrey Donovan) cares for Lu, the now older baby we saw in the movie’s opening act.  He is well groomed and cares deeply for the child while across the way Patrick (Matthew Fox) has allowed his hair and beard to grow and lives in a house littered with dirt.  Patrick also drinks too much and appears to be on the verge of a nervous breakdown.  He looks like a mountain man and, apart from his dog companion, doesn’t interact with either Jack or Lu.

Not that Jack would allow him to.

We quickly realize something big happened between the two men since we were first introduced to them.  Over the course of the movie, we discover where that break occurred while also finding that the zombie threat, thought long gone after the cold weather took over the world, may not be quite over after all.

As mentioned before, this is a movie that is more focused on the relationship between these characters rather than feeding audiences horror chills.  In fact, there are exactly three big action scenes in the film, the first in its opening act, the second toward the middle, and at final one at the very end.  In between, we witness how Jack cares for the young Lu, a girl who feels herself being overly protected.  She’s also curious about Patrick and his dog, though anytime she approaches him Jack becomes unhinged.

For modern audiences, the movie’s languid pace might be a little too slow, especially if you’re used to the thrill-a-minute Walking Dead.  Worse, when we do finally discover what drove these two men apart, the revelation doesn’t feel as big/terrible as it might have been.

Still, the movie for the most part delivers regarding these character moments.  When Jack finally allows Patrick into his house for a meal and a truce, the scene makes your heart pound with both tension and the hope these two will finally resolve their differences.  It is here, in the movie’s very best scene, that the characters offer hints at their common past in front of the innocent Lu.  However, like in real life, old wounds aren’t healed so quickly or completely.

I don’t want to give away too much more but suffice to say that if you get into the characters, you will enjoy this film.  Unfortunately, where Extinction doesn’t work quite as well is when delivering its action/horror.  The opening zombie attack isn’t anything you haven’t seen plenty of times before.  The middle action scene suffers from some shoddy effects (alas, this is a low budget film and while they did well with creating a snowy apocalypse, its still a low budget affair).  The final attack works the best though it does involve another well-worn zombie trope done many times before and better: the siege.

The bottom line is that if you come into Extinction hoping to see tension filled horror/action film along the lines of a 28 Days Later or Dawn of the Dead (original or remake) or Walking Dead you will probably walk away disappointed.  However, because of the very good characterization presented and, especially, that dinner scene, I can’t entirely dismiss this film.

If I had to rate it on a four star scale, I’d give Extinction two to two and a half stars.  Make of this what you will.