When I first heard about this movie, I was excited. Written and directed by Drew Pearce (screenwriter for Mission: Impossible – Rogue Nation and Iron Man 3), the film sounded like something right up my alley: A noir near-future crime/action drama featuring a most curious cast and a claustrophobic setting.
The movie, to my eyes, felt like something a young John Carpenter might come up with.
And, in many ways, it is.
Set in the near future of (if memory serves) 2028 Los Angeles, Hotel Artemis concerns a highly fortified building which secretly houses a medical clinic which heals criminals. The Artemis is run by two people, “The Nurse” (Jodie Foster, made up to look very old and fuddy-duddy) and Everest (Dave Bautista, quite good as the muscle with a heart).
The movie begins with a robbery that goes bad. Waikiki (Sterling K. Brown) and his gang rob a bank during a riot. There is a shootout afterwards and one of the gang members is killed while Waikiki’s brother is injured. The two head to the Hotel Artemis to get healed and meet up with The Nurse and a couple of other clients in house, including the mysterious Nice (Sofia Boutella) and the loudmouth Acapulco (Charlie Day).
As the riots outside continue, electricity is on and off and our cast of characters interact. The pressure rises when Morgan, a police officer (Jenny Slate) appears at the door of the hotel injured and, almost simultaneously, Crosby Franklin (Zachary Quinto), son of powerful mobster Niagra (Jeff Goldblum… if you’ve seen the trailer of the film, which I’ll present below, you’ve seen roughly 1/4th of his total screen time within the film!) calls in that he’s on his way for treatment.
Morgan, it turns out, is known to The Nurse. More specifically, Morgan knew The Nurse’s son, who perished mysteriously (though we’ll soon find out everything about that) and though the Artemis does not take in police, The Nurse goes against her rules and takes her in.
Anyway, Niagra soon arrives and things go sideways in many ways (I’ll not spoil the story) and eventually we reach a conclusion.
Unfortunately, the film is never terribly action filled (except for the opening and closing acts) and the story presented, while interesting, isn’t that interesting. Worse, by the end we’re supposed to find a nobility in a few characters who sacrifice themselves for others but the film hasn’t presented viewers a strong enough reason for us to feel this is anything more than plot contrivance.
In the end, Hotel Artemis is a misfire, IMHO, an intriguing enough concept which could have used a stronger -much stronger- script.