A few days ago I posted about the movie The Hunt, set to be released some time this year, and how its trailer was, IMHO, a perfect example of giving away too much plot. (If you’re interested, you can read the original post here)
Welp, it appears it hid from me (either that or I was too dense to notice) the fact that the film presents a situation where “liberal elites” are the ones who make a sport out of hunting and killing the salt-of-the-earth Red State folk, something that, thanks to that explanation, becomes clear when re-watching the trailer video…
Given the mass shootings which occurred these past few days and initiated by what appear to be right wing types, the studio behind The Hunt realized their movie and its promos may be a little too provocative in times like these.
As Jeremy Fuster points out in his article presented on thewrap.com…
There is a long history of provocation in the entertainment industry, be it music (Jimi Hendrix’s rendition of The Star Spangled Banner as protest against Vietnam), literature (A Clockwork Orange), and movies/TV (The Prisoner, Planet of the Apes -the original-, etc. etc.).
When done well, I tend to applaud takes on controversial subjects. The movie The Parallax View, for example, presented a paranoid view of the United States and those who have all the power and how they keep those who step out of line in check… sometimes through assassination. Warren Beatty, who played the protagonist in the film, is a newspaperman who stumbles upon the deep, dark secret behind a cabal that may be responsible for assassinations. The movie becomes a fascinating look at how an innocent man becomes a patsy through mind control (think Lee Harvey Oswald, for those who are conspiracy minded).
Reading up on The Hunt and it’s entire analogy/message, I can’t help but think: Is that it? Rip off The Most Dangerous Game but offer the “clever” twist that the hunters are homicidal liberal elites preying on the “good folks” of the red-states?
Good luck with that.