ChangesNowBowie (2020) a (On Time) Review

Released to digital/streaming services on April 17th, ChangesNowBowie is the latest David Bowie project released since his passing (gulp) four years ago.

I swear, I had to look that up and double check to be sure, but, yeah, David Bowie passed away on January 10, 2016. It’s been a little over four years since his passing!

Anyway, genius.com offers the following list of the songs and a little behind the scenes information on what this album is:

David Bowie: ChangesNowBowie

Repeating a little of what was at that website, ChangesNowBowie features essentially acoustic versions of several of Mr. Bowie’s songs. They were recorded as David Bowie was practicing for the big 50th Birthday Bash party he hosted back in 1996.

The songs aren’t bad at all yet I would add that neither was I necessarily totally blown away by these more mellow interpretations. The songs chosen are mostly songs that are more obscure to those who are only casually familiar with Mr. Bowie’s discography. Perhaps the most famous/well known songs are The Man Who Sold The World and Lady Stardust. What makes this album most interesting is hearing him go through some of these more obscure songs.

In fact, I’d say the later half of the album, starting with Lady Stardust (one of my favorite Ziggy Stardust tracks) through The Supermen (a song that works incredibly well as acoustically, from the album The Man Who Sold The World) through Repetition (a Lodger track I’ve always liked) through Andy Warhol and Quicksand (both found on Hunky Dory) are the highlights of the album.

On the other hand, the album starts with The Man Who Sold The World (its ok, didn’t really blow me away) goes to Aladdin Sane (this track works better frantic rather than the more laid back acoustic version, IMHO) to White Light/White Heat (a Velvet Underground song Bowie really enjoyed covering in concert, especially during his Ziggy Stardust era) and finally goes to Shopping For Girls (from Tin Machine II) which, also to me, sounded better in the original version.

Still, a nice enough album worth checking out if you’re a fan of David Bowie.

Anyway, see if you agree with me on at least one of the songs, the pretty obscure Tin Machine II entry Shopping for Girls. Here’s the original version…

And this is the more mellow/acoustic version found on ChangesNowBowie

It’s not bad, as I said above, but it didn’t necessarily prove a significant counter to the original.