Category Archives: Music

David Bowie’s finale…?

Yesterday, January 8th, would have been the 70th Birthday of David Bowie.  Last year tomorrow, on January 10th, Mr. Bowie passed away.

Last year Mr. Bowie released his final new album, Blackstar, on his 69th Birthday.  For his 70th Birthday, No Plan, a four song EP, was released to mark his passing and give fans the last music the artist worked on before he passed.  Though the songs aren’t really “new” -they can all be found on the Lazarus soundtrack and the actual song Lazarus, the fourth on the EP, was part of the Blackstar album- this is the first time you can buy them on their own and outside of that Broadway soundtrack.

Since I truly didn’t care to buy the entire Lazarus soundtrack -sorry but I like to hear David Bowie singing David Bowie- I didn’t bother getting the Lazarus soundtrack but jumped at the chance to buy the EP (for those wondering why I didn’t just buy the other songs on their own, the three “new” songs could not be purchased separate from the full soundtrack).

Anyway, the EP was released, I believe, on Friday though the Amazon listing states its release is for tomorrow, January 10 (I guess they wanted to keep with the David Bowie birthday theme).

I picked up the EP yesterday and, if you like Blackstar, you’ll like the three new tracks presented.  It’s hard to point out which of the three is the best (and if I were to consider all four, I’d probably tilt toward the already released Lazarus, a song that feels like an eerie coda to David Bowie’s life and then upcoming passing).

Of the other three, No Plan is pretty damn good.  So much so they even made a video…

I suspect in the near future we’ll see more “unreleased” David Bowie material appear.  There is apparently quite a bit of it -excluding, of course, the vast amount of live shows that were surely recorded.

I know I’ve written before about some of the better never “formally” released David Bowie songs (at least songs that weren’t part of any of his actual albums), but of those songs I’m familiar with my favorite remains the alternative version of the song Candidate

As can be seen in the graphic, this song was created for what eventually became the Diamond Dogs album.  Originally, Mr. Bowie intended to create a musical version of George Orwell’s 1984 but the late author’s wife refused to give him permission to make the album and therefore he was forced to make some changes (no pun intended) and, viola, Diamond Dogs.

There are still hints to the unmade 1984 album in Diamond Dogs, including…

There’s a Big Brother song as well and the Sweet Thing/Candidate medley (very good stuff but I have to say, I prefer the unreleased version of Candidate to it!).

Anyway, those who are fans of David Bowie, the bottom line is this: There’s a “new” EP out there and you get one more taste of what David Bowie was up to just before his untimely passing.

Perhaps other buried treasures will be found among his previous recordings and “new” and interesting Bowie songs will also appear in the near future.

I’ve got my fingers crossed.

Anno Horribilis…2017 can’t come fast enough…

So over the weekend we had two big news items regarding celebrities.

The first was Carrie Fisher, best known for playing Princess Leia Organa in the original Star Wars trilogy and reprising the role in Star Wars: The Force Awakens, suffered a heart attack while on a plane traveling to L.A.  Based on some of the comments offered, things sounded very grim.  However, the latest update, from Carrie Fisher’s mother Debbie Reynolds, is somewhat encouraging: She reported Ms. Fisher was “stable”.

I’ve noted many times I never got into Star Wars, even though I was of the right age and a sci-fi fanatic then (as I am now). Despite this, I have nothing but positive thoughts for Ms. Fisher, who not only was good in the role (a damsel in distress with a no-nonsense attitude), but also was quite good in other roles, including her hilarious turn as the ex-girlfriend from Hell turn in The Blues Brothers

Then, yesterday, Christmas Day, came word that George Michael, ex-Wham! member and (even more successful) solo artist, had passed away at the very (too!) young age of 53.  I’ll remember him most for this video, which was stylish and sexy as hell and introduced the world to Cindy Crawford:

He also had a great sense of humor and was the first musical guest to star in James Corden’s Carpool Karaoke for Comedy Relief…

Like Star Wars, I can’t say I was ever a big fan of George Michael’s music.  Just wasn’t my thing.  However, there is little doubt he had talent and a great voice and, let’s be fucking serious, 53 is not any kind of age to pass away at.

2017 has got to be better, no?

(Then he remembers who becomes President in 2017.  Gulp.)

40 Greatest One-Album Wonders…

…again, a list from Rolling Stone:

40 Greatest One-Album Wonders

I find this list incredibly interesting.  Of course, there are many “one hit” wonders out there, bands that had that one big hit song and never replicated that success.  It’s a little more interesting when you have a band/singer who creates a full album which is considered great and then…nothing.

#37 on the list, Hermann Szobel for the 1976 album Szobel is particularly sobering and intriguing.  Never heard the album but what happened to Mr. Szobel is heartbreaking, especially if the album is as good as described.

Then there’s #17’s The Shaggs and their 1969 album Philosophy of the World.  This is one seriously odd album, of which I’ve heard snippets of in the past.  Three sisters, perhaps (over) indulged by their father, released an album that…well…its an experience, for certain.  I’ll cut and past the entire description from the Rolling Stone article:

It takes all of two seconds for the Shaggs’ out-rock masterpiece Philosophy of the World to fall apart into a glorious, asynchronous mess. The group was a trio of sisters from Fremont, New Hampshire whose father and manager believed in their bizarre, messy music about cats, parents, Halloween and how “you can never please anybody in this world,” as Dot Wiggins sings on the title cut. Although the Shaggs were too weird for mainstream success – leading to their eventual disbandment after their dad died – their sole LP became an underground hit. Frank Zappa said they were “better than the Beatles,” Kurt Cobain named Philosophy his fifth favorite record ever and rock group NRBQ believed in them enough to coax two-thirds of the group out of retirement in 1999. Their story became the subject of an off-Broadway musical that opened in 2011. 

After that, I have to include Philosophy of the World, right?  Here you go:

Don’t say I never do anything for you.

Curious to find that Eric Clapton has not one, but two albums on this list, both of which are deserving of being on it.  You got Blind Faith with their self titled album at #14 and Derek and the Dominos’ Layla and Other Assorted Love Songs at #2.  Both groups, which featured Mr. Clapton, only recorded their one album before disbanding.

Before getting to the #1 album, I wanted to point out #9 on the list, The Postal Service and one and only album Give Up.  I picked this album up because of the many recommendations given to it and I find this song from it, in particular, incredibly haunting, though it isn’t the best known song from the album:

Something about longing for lost love is incredibly powerful.  Some of the lyrics send those cliched chills down my spine.  Love, love, love this song.

At #1 is (SPOILER ALERT!!!)…

YOU’VE BEEN WARNED

…the Sex Pistols and their one and only full album Never Mind The Bullocks, Here’s The Sex Pistols.  Truly an album that came around at the right time and in the right place and turned just about everything upside down.  It was/is a smarmy, anarchic album which defined the times and insulted just about everything and everyone while doing so.  The album was a hit yet, if memory serves, newspapers would black out “God Save The Queen” from the Billboard list because it was so very controversial.

If you are a fan of rock and roll and punk and music in general, this album is most certainly worth having in your collection.

Just feelin’ this mood, Strangers When We Meet…

…nothing more, nothing less.

The above is the full length version of the song which appeared on what I consider David Bowie’s best overall album from his later years, 1. Outside.  The song, however, originally appeared in a slightly different version on David Bowie’s previous album, The Buddha of Suburbia

Looking around, I found this, an early demo of the song.  Though intriguing, I’m kinda glad they moved away from using the demo’s intro.  Otherwise, the song is very close to The Buddha of Suburbia’s version…

Finally, the official video to the song when used to promote 1. Outside.  I believe the video cuts the song down a little, timewise…

Finally, a live version Mr. Bowie did of this song…

By God, listen to how smooth his voice was here!

Really sad to think there’s nothing “new” coming out from this extraordinary man anymore.

Finally, the lyrics to Strangers When Me Meet:

All our friends
Now seem so thin and frail
Slinky secrets
Hotter than the sun
No peachy frairs
No trendy rechauffe
I’m with you
So I can’t go on
All my violence raining tears upon the sheets
I’m bewildered, for we’re strangers when we meet
Blank screen tv
Preening ourselves in the snow
Forget my name
But I’m over you
Blended sunrise
And it’s a dying world
Humming Rheingold
We scavenge up our clothes
All my violence, raging tears upon the sheets
I’m resentful, for we’re strangers when we meet
Cold tired fingers
Tapping out your memories
Halfway sadness
Dazzled by the new
Your embrace
It was all that I feared
That whirling room
We trade by vendu
Steely resolve is falling from me
My poor soul, poor bruised passivity
All your regrets ran rough-shod over me
I’m so glad that we’re strangers when we meet
I’m so thankful, cause we’re strangers when we meet.
I’m in clover, for we’re strangers when we meet.
Heel head over, cause we’re strangers when we meet.
Strangers when we meet. (x9)

You don’t know me…

When one becomes a “celebrity” its open season for ruminations on their character.

I’ve done so myself, opining that Donald Trump is not presidential material and wondering aloud to friends and family if he’s even mentally fit, period.

I based my opinions on the ample exposure Mr. Trump gave the nation and world during these elections.

On the other hand, other than the “newsworthy” mis-steps of Kayne West, I couldn’t tell you a whole lot about him.  I don’t know any of his music and couldn’t tell you the name of even one of his songs yet know many consider his albums the work of pure genius.  Oh, and I also know he’s married to Kim Kardashian.

A couple of days ago I read that Mr. West, following engaging in some weird antics at his latest concerts, including stating he would have voted for Trump (!), was admitted to a hospital.  Though no one knows the exact reason he was hospitalized, it is strongly believed the cause is related to mental issues…

Kayne West reportedly hospitalized for his own good

I know there are those who will cheer this development.  As noted, Kayne West has at times been really out there with his public statements and its easy to ridicule someone like that.

Yet reading the above article, I can’t help but feel for him.

Whether I like his music or not, he’s clearly an individual in no small amount of distress and the fact that he’s been hospitalized suggests the issues he faces are serious indeed.

As I said before, I don’t know much about Mr. West’s career in music.  I know his public persona has been, at times, more than a little obnoxious.

Yet he’s “just” an entertainer.  Unlike Mr. Trump whose presidency will affect millions, all Mr. West really does is create music which many people really like.

I wish him no ill and for the sake of his friends and family, I hope this hospitalization yields positive results.

Rock n’ Roll Hall of Fame…

Each year is like the movie Groundhog Day, at least with regard to the nominees for the Rock And Roll Hall of Fame.

You get a bunch of artists nominated and the inevitable backlash begins.  Why was X nominated and not Y?  How could they keep ignoring band/artist Z?

This year is proves to be no exception.  For those interested, from Rolling Stone,

The 2016 Rock and Roll Hall of Fame Nominees

Among the artists to be nominated you have Yes, Journey, The Cars, and Pearl Jam.

The later group was arguable one part of the three most important, IMHO, rock artists of the 1990’s.  The other two are Nirvana, which has already made it to the Hall of Fame, and an artist that author Kevin Craft for Salon.com offers a fascinating defense of and wonders why it is as time goes by the cultural imprint of this band seems to progressively fade.  I’m referring, of course, to The Smashing Pumpkins, who are now eligible to the R&R Hall of Fame yet were not even nominated…

The World Is Still A Vampire: The Smashing Pumpkins Can’t Get The Respect They Deserve

I discovered The Smashing Pumpkins sometime around 1995-96 and shortly after the release of what might be the band’s crowning achievement, the incredibly ambitious Mellon Collie and the Infinite Sadness.  Perhaps two of the biggest hits from that album include the song that is quoted in the above article…

…and this one, which even those who can’t handle Billy Corgan’s voice (I’m a HUGE Smashing Pumpkins fan yet I can understand those who find it difficult to take) like…

Mellon Collie and the Infinite Sadness, to my mind, is one of the absolute best albums to come out of the 1990’s yet it followed The Smashing Pumpkin’s Gish (1991) and Siamese Dream (1993) two incredible albums which others may consider even better than I consider Mellon Collie.

After those three albums and a bunch of extra-song releases, including a mind-boggling amount of outtake material from Mellon Collie collected along with the singles released from that album and called The Aeroplane Flies High.

It was during these two years, 1995-96, that The Smashing Pumpkins arguably reached the heights of their popularity.  Sadly, things went downhill, at least from a popularity standpoint, from there.

Their next album, Adore, was released in 1998 and audiences were divided by it.  I personally loved the album but could understand how fans of the band to that point might have found the material a little too different from what came before.

Just as Adore divided fans, the follow up to that album, Machina/The Machines of God further divided them.  The album failed to chart and it appeared the band was on the rocks.  Me?  I loved the album…

The group broke up soon after the release of this album and its internet released sequel, Machina II/The Friends & Enemies of Modern Music.

After forming and releasing an album with his new group Zwan, Billy Corgan would release a solo album before re-forming The Smashing Pumpkins with 2007’s Zeitgeist.  The album was…ok…in my opinion.  Not as good as the previous SP albums and, sadly, not as good as the Zwan album.  Curiously, my favorite song from that album wound up being one that was presented as a bonus track and not on the album itself…

Since that point, The Smashing Pumpkins have gone through lineup changes (at one point, Billy Corgan was the only original member of the band).  There is supposedly an effort underway to reform the band as it originally was but, as with all things, we’ll see.

Anyway, I went through all this to say the following: The Smashing Pumpkins was, to me, one of the absolute best rock bands of the 1990’s.  They released, up to their original breakup, one great album after another yet I agree with Mr. Craft’s article linked to above.  There appears to be a fading away of The Smashing Pumpkin’s influence and success from the public mind.

Why?

There are those who gleefully point out this is deserved, that singer/songwriter/band leader Billy Corgan is a jerk and the problems that befell his band are a karmic comeuppance.

Personally, I believe The Smashing Pumpkins, like many other bands and artists, suffered from their early success.  You can climb a mountain only so high before inevitably going downhill.  Or, to put it another way, not every work is going to be a home run.  The first three albums released by The Smashing Pumpkins were arguably one great work after the other.  While the next two albums -and internet released album- weren’t as big hits, I felt they were also damn good.

For that alone the band deserves consideration for the Rock and Roll Hall of Fame.

Even if it won’t happen this time around, I can’t help but think their time will eventually come.

Beware…politics…and Beatles music?

I’m deeply invested in politics as the people who will run our government represent the future of this country.  Yet I also feel political opinions are too easily spread out there and it is best sometimes to listen rather than “talk”.

This is why I’m always hesitant to get into political topics here.  Considering all the things I’ve expressed opinions on these last few years, I shouldn’t be, but political options, and politics in general, have a different impact than my opinion on, say, Batman v Superman: Dawn of Justice.

Which isn’t to say I don’t dip my toe into this topic from time to time, which is what I intend to do now.  So, if you’re not interested in “talking” politics, turn away.  There’s plenty of other good stuff to read around these parts…

Anyway, yesterday the Vice Presidential candidates took to the stage to have a debate and, from what I’ve heard (you couldn’t pay me to watch this one), Republican VP candidate Mike Pence acquitted himself far better than Donald Trump did in his disastrous debate against Hillary Clinton.

And the Donald, from reports out there, wasn’t all that happy:

Report: Donald Trump mad at Pence for being better than him at debate

While I suppose it should surprise me, it doesn’t.  Mr. Trump has always struck me as a classic narcissist and woe be to anyone/anything that takes away from his limelight.

Yet on the other hand, and again based on what I heard, it appeared Mr. Pence didn’t exactly go to bat for his candidate, so there could be more complex emotions going on here.

What I find the most fascinating so far with this race is that apart from being a narcissist, Mr. Trump constantly engages in what psychologists have called “projection”, which is defined as:

The unconscious transfer of one’s own desires or emotions to another person.

Many years ago and shortly after the disbanding of The Beatles, John Lennon and Paul McCartney (and George Harrison to a lesser degree) took shots at each other via their songs.  Paul McCartney’s “Too Many People”, for example, is widely considered a song which takes aim at Mr. Lennon:

Included in the song are these lines:

You took your lucky break and broke it in two.
Now what can be done for you?
You broke it in two.

John Lennon shot right back with “How Do You Sleep”…

What was most fascinating to me was that in the Imagine film, Mr. Lennon talks about that song and says this about it:

(How Do You Sleep) is not about Paul, it’s about me. I’m really attacking myself. But I regret the association, well, what’s to regret? He lived through it. The only thing that matters is how he and I feel about these things and not what the writer or commentator thinks about it. Him and me are okay.

By the point of this quote many years had passed and the raw/negative feelings the two had for each other subsided but I nonetheless find Mr. Lennon’s statement incredibly interesting.

Sure, on the surface of the song he was going after Paul McCartney and now regretted it.  However, I suspect Mr. Lennon was very much on to something with that quote and had realized the song, while appearing to be a full on attack on Mr. McCartney, was also more than a little self-loathing as well.

Check this song lyric from “How Do You Sleep”:

The only thing you done was yesterday
And since you’ve gone it’s just another day

Once again and on the surface it is clear Mr. Lennon is referring to the famous Beatles song “Yesterday”, which everyone who knows their Beatles trivia knows Paul McCartney composed and recorded pretty much completely on his own, and comparing it -unfavorably- to Paul McCartney’s post Beatles solo song “Another Day”…

Now, in light of John Lennon’s statement, one can (ahem) imagine he realizes much of his criticism is indeed projection and that the negative statements he makes against McCartney are about him.

John Lennon was known to be very self-critical and at times displayed levels of self-loathing.  I recall reading one interview where he dismissed the entire Beatles catalogue and said if he had to do it again, he would do every song completely differently, implying all those songs they released were not all that good.

There were also interviews where Mr. Lennon expressed equal parts admiration for and jealousy of the song “Yesterday.”  It is arguably the single best known Beatles song yet, as noted above, it is entirely Paul McCartney’s work and John Lennon had nothing at all to do with it.

The success of “Yesterday” made Mr. Lennon (and the other Beatles, of course) a ton of money yet it irritated Mr. Lennon.  A confidant of his stated:

“Yesterday drove him crazy,” veteran New York journo/broadcaster Howard Smith told MOJO. “People would say, ‘Thank you for writing Yesterday, I got married to it, what a beautiful song…’ He was always civil. But it drove him nuts.”  (The full article can be found here: John Lennon was Haunted by Yesterday)

So if we are to believe Mr. Lennon in that later interview and consider the song “How Do You Sleep” as being a projection of and ultimately about Mr. Lennon, the line “The only thing you done was yesterday” takes on a completely different meaning.

Mr. Lennon is making what amounts to an incredible self-loathing statement: “The only thing I -John Lennon- am known for is the song “Yesterday”, and I didn’t even have anything to do with it!”

Perhaps this is indeed the case and Mr. Lennon had an uncanny insight into his own psyche.

Something, sadly, I don’t think Mr. Trump is capable of.

Time marches on…sadly…

2016 will likely be remembered as the year far too many people in the entertainment business died.

The year started with the shocking news of the passing of David Bowie, though fans of the singer long suspected he suffered from health issues following the abrupt ending of the Reality Tour, due to a heart attack, in 2004, and his subsequent 10 year sabbatical.  He would release two more albums, the second of which, Blackstar, was clearly meant to be a “goodbye” album.

More recently we’ve had the passing of accomplished (and extremely talented) actor Gene Wilder.

There are other things one notices when one gets older.

When I saw the movie Star Wars: The Force Awakens, I was somewhat taken aback by how old both Carrie Fisher and Harrison Ford looked in the film but, let’s face it, the last time they were in a Star Wars feature it was Return of the Jedi and that film was released in 1983 (for those counting, thirty three years ago).

Today came this bit of sad news in an article written by Scott Eric Kaufman and presented on salon.com:

Monty Python founding member Terry Jones diagnosed with dementia

One of the startling things one realizes with the passage of time is that the many people out there you hold in high esteem, be they musicians like David Bowie or actors such as Gene Wilder or comedians like Terry Jones, are all too human.

As high a pedestal as we may place them upon, we all carry the same flesh and blood and are thus just as susceptible to the passage of time.

In my mind, I picture David Bowie as Ziggy Stardust or as The Thin White Duke, or that too-cool Let’s Dance crooner.  I see him older, too, yet holding up remarkable well during his final full tour, The Reality Tour…

Gene Wilder, as well, sticks in my mind for his acting in The Producers, Blazing Saddles, Young Frankenstein, and The Silver Streak…he’s forever frozen in those features.  Forever frozen during those more youthful years.

Like many, I love the Monty Python troupe and their absurdist humor.  The original show was great (well, except for the final John Cleese-less season).  I loved the first two Monty Python films, Monty Python and the Holy Grail and The Life of Brian.  Life of Brian, in particular, is along with Airplane! one of my all time favorite comedies ever.  Not only was Terry Jones a writer and actor in both films, he was also the co-director of one, The Holy Grail (Terry Gilliam co-directed) and sole director of the other.

According to the article, the Terry Jones’ disease is such that…

(It) affects his ability to communicate and he is no longer able to give interviews.

Incredibly, incredibly sad to read.

When news like this hits I can’t help but think we should take a moment to appreciate what time we have on this planet and, further, appreciate the works of others who entertain us with their hard work.

Not to end the week on such a down note, but there will inevitably come a day when we cannot do so anymore.

David Bowie: The Leon Suites (1994) a (very belated) musical review

A week or so back I wrote about David Bowie’s The Leon Suites, three roughly 20 minute long musical -what?  Plays?  Musical stories?  I’m truly not certain how to categorize them- which Mr. Bowie created along with collaborator Brian Eno back in 1994 and presented to record companies for consideration as a formal release.  (Read about that here)

The music companies rejected the material and Mr. Bowie reworked it for the 1995 album 1. Outside.  SInce Mr. Bowie’s passing earlier this year and now that all his “official” albums are out there, I’m of the opinion that 1. Outside is the very best album Mr. Bowie produced in the later parts of his career.

Having said that, I was always curious about the album and what went into its making.  I’d heard rumors that there were some 20+ hours of recordings in vaults which were the genesis of the work.  Along with the rumors of a wealth of recordings created for 1. Outside, there were rumors Mr. Bowie intended to release more albums in the world he presented there.

Of course, Mr. Bowie never did.

The critics weren’t kind to 1. Outside.  While I loved the album upon its release, I was dumbfounded to read review after review savaging the album as being too much (Ironically, over time the sentiment has turned and I suspect most people now consider the album a high point of his later career).  Even worse for Mr. Bowie, when he toured in support of the album with NIN, there was word the audience cheered and demanded NIN but had little to no interest in Bowie…

Whether true or not, after the tour Mr. Bowie abandoned the 1. Outside project and instead released several albums -none concept albums- before his passing.  Along with the justifiably famous The Rise and Fall of Ziggy Stardust and the Spiders From Mars, it appears 1. Outside is the only other full “concept” album he released in his lifetime.

(ASIDE: I suspect people might argue both Aladdin Sane and Diamond Dogs were also concept albums.  I don’t believe they were.  Not entirely, anyway.  While Diamond Dogs originally started as a musical version of George Orwell’s 1984 and parts of that original idea remain in the album, to me there isn’t enough of a coherent “story” for it to be considered a proper concept album.  Likewise, Aladdin Sane offers something of a loose story and has been labeled, -justifiably!- “Ziggy Stardust goes to America” but like Diamond Dogs I just don’t think there’s enough there to consider it a proper concept album.  All this, of course, is IMHO)

Last week I learned the three Leon Suites, the genesis of the 1. Outside album, were released to the internet a short time before Mr. Bowie’s passing and it is suspected by many the person who released this was Mr. Bowie himself…

At the time I wrote about this, I just learned of the three “Suites” and therefore hadn’t heard them.  Now I have and wished to offer some comments.

The first comment is going to be the cruelest: I agree with the record companies in their rejection of this material.  Whether you consider the material great or good or terrible, one thing is clear: It is not very commercial.  At all.

Having said that, the three Leon Suites offer a fascinating early look/rough draft of what became 1. Outside.  In having the original Suites rejected, Mr. Bowie turned his creativety on high and took bits and pieces from these Suites and used them in 1. Outside.  Out of a decent -but very artsy- work he created something even better -IMHO!- in 1. Outside.

Now that the Suites are available, they serve as a fascinating bookend to the 1. Outside album.  If you haven’t listened to it and are a fan of David Bowie and 1. Outside, do yourself a favor and give it a listen.

It’s most certainly worth your time.

David Bowie: The Leon Suites

I’ve made my love of the late David Bowie’s music known for just about as long as I’ve been posting here.

For those who share this awe for his music, I recently stumbled onto a couple of websites that are incredibly fascinating.

The first, presented at DavidBowieworld.nl, offers an intriguing look at The Leon Suites, a project David Bowie and Brian Eno worked on in 1994 and presented to the record companies only to get it rejected.  The material they made was re-worked into what I consider the absolute best of David Bowie’s late career releases, 1. Outside.

Read for yourself:

David Bowie 1994 The Leon Suites (1. Outside Outtakes)

Before Mr. Bowie passed away earlier this year, the three Leon Suites were released to the internet (Toy, another aborted album, was released a few years back as well).  It is thought that Mr. Bowie himself decided to release this material as there was little likelihood -and probably not a lot of money to be made- on doing an “official” release.

It’s intriguing stuff and I haven’t yet listened to it all but there are parts that are very recognizable that made it to the 1. Outside album.  So, if you like David Bowie as much as I do and also feel 1. Outside is a classic, here’s your second link, to the Complete Leon Suites…