Hard to believe its been three years since the release of Justice League in 2017.
The film, a direct sequel to director Zack Snyder’s controversial Batman v. Superman: Dawn of Justice (2016) was, to say the least, fraught in controversy.
Many people went ballistic at the release of BvS, feeling Zack Snyder’s vision of both Batman and Superman were wrong. Batman and Superman kill!, many lamented, though the characters had done so in previous movies (and, in the case of TV shows, Superman did indeed do so) without much of a shrug.
I suppose it was the way it was presented which people didn’t like. Superman shouldn’t be so dark and grim. Batman shouldn’t be nearly psychotic.
I’ve made my opinion of the film pretty clear over time: I happen to very much love BvS, though I would quickly add its the Extended Cut of the film that I would recommend anyone interested in seeing the film watch rather than the truncated, cut up Theatrical Cut which Warners (I strongly suspect) forced into being released.
Regardless, there were plenty of people who were not eager to see Mr. Snyder return to the characters. Warners was understandably nervous: They were putting in big money to make the Justice League film and the last thing they wanted was for the fans to (ahem) murder the product via the internet before it was released.
So there was a meet and greet arranged during the making of the film for fans and journalists to see what was in the works, along with some early footage. Mr. Snyder wanted to show the film would be -I suppose- lighter in tone than the more grim BvS.
It seemed to work, too, as the general feeling seemed to be positive about the film’s tone and direction this time around.
Then, tragedy. Zack Snyder’s adopted daughter committed suicide and, as Mr. Snyder was about to do some re-shoots, he dropped out of the project to grieve. Warners wound up hiring Josh Whedon, best known for Buffy the Vampire Slayer and the first two Avengers films, to come in and “complete” the project.
The inference was that he would do a little bit of work here and there, but when JL was finally released to theaters, audiences -and those who were fans of Mr. Snyder’s DC work- knew this film was about as far from a Snyder film as was possible. The tone was far more “comic”, the threats far less… threatening.
While I personally didn’t hate the film, I felt that it was almost like a 1970s cartoon version of the Justice League. It seemed like it was created to not offend, to not be dark at all. To give audiences a few chuckles and, hopefully, a few thrills. Batman was no longer dark and dangerous… he was essentially the butt of jokes. There were a lot of jokes, some of which were quite good but there was almost no sense of danger and little sense of suspense.
The film, IMHO, was a Frankenstein’s monster: Neither Snyder’s nor Whedon’s. I can’t get upset by Whedon’s work as I’m quite certain he did what the studio told him to do and he was likely very rushed all the way. The movie was scheduled to be released at a certain date and despite the tragedy involving Mr. Snyder, Warners was determined to release the film on the originally scheduled release date.
The film didn’t do terribly well at the box office, especially considering the fact that this was the first film to feature so many DC heroes all together.
However, almost immediately those who were fans of BvS suspected there was an alternate cut out there, a Snyder Cut of the film, and they wanted to see it.
There were those who scoffed at that notion, too. Whatever Snyder did, it was likely so incomplete that there was no way a full feature film could be made of it. There were those who didn’t care one way or another: They were more than happy to never see Snyder’s work on any more DC heroes.
I suspected there was enough material out there for a “Snyder Cut” of the film to be made. After all, director Richard Donner was fired from Superman II having only completed some 60% of that film by his own admission, yet they were able to cobble enough material together to release the “Donner Cut” of Superman II.
All indications were that Snyder had finished all principle photography of Justice League and was only intent on finishing a few extra reshoots before he left the project.
So, already it seemed like there was more of a “complete” Justice League out there versus the Donner Cut of Superman II.
It further seemed to be the case that the film likely needed extensive special effect work, and that meant plenty of money to invest in the project, something it seemed Warners might be unlikely to consider.
The fans of Mr. Snyder, to their credit, began a movement which, today, seems to have born fruit: They have tweeted and posted (and raised funds for suicide prevention charities) to finally get the people at Warners interested in revisiting Zack Snyder’s Justice League.
Borys Kit at The Hollywood Reporter offers this intriguing article concerning the announcement made some three or so days ago that the Zack Snyder version of Justice League will be released via HBO Max next year, though the format is yet to be determined, and that Warners has given Mr. Snyder a budget between 20 and 30 million to finish it up:
Considering how much I liked BvS, I’m certainly on the side interested in seeing Mr. Snyder’s version of the film.
However, I’m also a realist.
It could be… not all that good. Hell, it could wind up being something fairly mediocre or worse, and all that fan effort and devotion might mean we will get to see a so-so film.
However, it is also quite possible we get something in line with BvS. I know some people shudder at that possibility, but, as I said before, I liked the film and if this work is like it, I suspect I will be happy with what is eventually released.
As with so many things, we will see!