Lots of too grim news out there but I found this one piece of news -pretty much fluff, but I enjoyed it- and figured why not present it here.
Written by Ben Arnold and presented on Yahoo UK, we have:
The article concerns Bill Pope, a veteran cinematographer who worked on the original The Matrix and its sequels and, despite saying some very unflattering things about working on those sequels, is nonetheless back for the upcoming fourth Matrix film, due to be released… well… I guess like so many other things, we’ll see.
Anyway, when talking about making the original two sequels to The Matrix, Mr. Pope doesn’t hold back any punches. From the article:
“The Wachowskis had read this damn book by Stanley Kubrick that said, ‘Actors don’t do natural performances until you wear them out.’ So let’s go to take 90! I want to dig Stanley Kubrick up and kill him.”
That last bit really made me laugh.
But on a slightly more serious note: I suspect all directors are unique in how many “takes” they make of the scenes within their films.
I read somewhere (wish I could remember where, so take my memories of this for what they are: Memories) that Alfred Hitchcock would essentially create his entire films on paper first, including detailed illustrations of each scene and where the camera is and where it goes.
So much so that when the movie Rear Window was made, the film’s editor supposedly acknowledged all s/he had to do when putting the film together was to clip out the front and back end of each sequences (ie, the clipboard and director yelling “Action” and then the end where the director yells “cut”) and put what was left between together one after the other and, voila, there was the film.
So much work was done in preparation for filming, in fact, that Alfred Hitchcock himself noted (again, if my memory is correct) that once they actually got the cameras out he felt that was the “boring” part of making the film. The creative part, which he enjoyed the most, was actually constructing the film on paper and providing that illustrated roadmap of each scene/sequence through to the end.
Stanley Kubrick, on the other hand, was well known to be super fastidious about making his films. Indeed, he was known to, as noted above, take many, many repeats of individual scenes, trying to get the acting “just right” and often wearing down the individual actors. In fact, its been reported that Shelly Duval was well on her way to suffering a nervous breakdown while filming The Shining.
Clint Eastwood represents yet another type of director. From what I’ve read, he’s very much a quick shooter when making his works, having a very minimum number of “takes” of each scene and moving along rapidly to the next scene.
At times this seems to work fine but at other times there is a rough quality to his work, especially more recently, that may not please viewers.
Regardless, its a fun article and I love the quote they offer!