Category Archives: Books/Literature

Corrosive Knights 1/21/14 Update

Each day brings me closer and closer to finishing the fifth book in my Corrosive Knights saga.  As of yesterday, 1/20/14, I finished the edits on the fifth draft of this fifth novel in the series, printed it up, and as of today I’m onto the sixth draft.

Corrosive MACN & Coming Soon

How many more drafts will this novel take?  That’s the question, isn’t it?

At this point, I’m comfortable in saying the book may require no more than between two and four drafts.  The later number may sound scary considering the time it takes me to do each new draft, but most of the major plot issues/contradictions/rewrites have been resolved, leaving behind smaller plot points or descriptions which I’ll address now.  I’m on the verge of moving from reworking things to simply tidying up.  Or, as the late Elmore Leonard so appropriately stated, giving readers the stuff they want to read and getting rid of the stuff they don’t.

It’s a lot of work but trust me, its going to be good.

Onward!

Corrosive Knights, 12/6/13 update

Corrosive MACN & Coming Soon

Another quick update on the upcoming fifth novel in the Corrosive Knights series.

So far I’m feeling very good about this latest draft of this novel.  It has been a little less than a month since I concluded the previous draft (#4) and while that draft was a real back breaker, seeing as it involved considerable reworking of the later stages of the book, reading through this one has so far been a real joy.

When printed out, the fourth draft of this fifth novel (still with me!?)  runs 194 pages at single spaced 10 point Cambria.  The word count is 107,569.

Right now I’m at page 131 and thus far almost all the corrections I’ve made to this, the fifth draft, involve grammatical issues such as paring down sentences to eliminating repetitious phrases or clarifying explanations and punching up scenes that may require this.  As I’ve noted before, when I get to the point where my main corrections in a novel’s draft involve grammar and the issues outlined above rather than extensively rewriting or rethinking sequences, then I know the book is really close to being done.

The thing that has most amazed and delighted me with this draft (and you must pardon me for tooting my own horn) is how fun the thing is.  In reading this draft I’ve started to look at the book as being close to a finished product and am trying to put myself in the shoes of my readers.  That being the case, I’m having a blast.  The book is filled with both mysteries and surprises, and it should be quite the page turner.

This book is also the conclusion to the first major chapter in the Corrosive Knights series, though it is far from a conclusion to the entire story line.  I’m finally giving readers a link between all the novels in this series and the bigger story I’ve been working on telling all these years (the first three novels of the series were written as “stand alone” stories, so they can be read in any order and enjoyed without reading the others).

So, for now, that’s my update.

Let me not spend a minute more online and get back to work!

5 Great Movies…

…That Were Turned Into Terrible Books:

http://www.cracked.com/article_20681_5-great-movies-that-were-turned-into-terrible-books.html

Gotta hand it to the folks at Cracked.com for this list.  There was a time when novelizations of movies were quite in vogue.  We are not talking about novels that were written and released and subsequently made into films.  We’re talking about hiring an author, while a movie is being made, to write a “novelization” of the film in production.  Said novel is then released concurrently with the film to allow the studios to make more money off their product.

I used to read a few of the ones that interested me, in particular those that were about films I was dying to see.  Oftentimes, the novelization of the film would be released a month or more before the film was in theaters, and in those pre-internet days it was rare to hear much about the film before its release.

Way back in 1989, for example, I would literally kill to see the Tim Burton directed Batman. All that was known was that Michael Keaton was playing Bruce Wayne/Batman (and the fan base was really confused about that choice) but, on the bright side, Jack Nicholson was playing the Joker, and that had everyone thinking good thoughts.

Some time shortly before the film was released I got my hands on the Batman novelization.  As it turned out, I didn’t get a chance to read it before seeing the film…

I was of two minds with the Batman film.  While I really, really loved the first half of the film and my young(er) mind would easily give that first half four stars, roughly from the point immediately after the Joker states “Wait til they get a load of me!” on, the film became overly weird and…silly.  It was as if the movie’s makers were winging (no pun intended) it from that scene, allowing the Joker to do his increasingly crazy (and for the most part pointless) stuff while Batman slowly comes after him.

A little after seeing the film, I decided, just for the heck of it, to read the novelization.  What I read wound up surprising me.  The first half of the book, if memory serves, followed the film pretty closely.  However, the second half of the book -again, if memory serves- was almost nothing like the second half of the film.  Not that it was any better, mind you, than the film, but clearly this was a movie/novelization that featured a pretty good first half but never could come up with an equally good second half.

I can only guess that the novelization followed the screenplay and the screenplay, as the film was being made, was essentially tossed out in the second half and reworked “on the fly”.

My most vivid memory of something in the novel not featured in the movie is a sequence where Bruce Wayne goes to visit Vicki Vale (Kim Basinger) in her apartment for a date.  The Joker, it turns out, has developed an interest in Vicki and, as Bruce and Vicki are about to leave the apartment on their date, the Joker appears at the door.  Bruce and the Joker talk to each other (a sequence I can only imagine was designed to allow Michael Keaton to actually act opposite Jack Nicholson without having a disguise on) and in the end the Joker either knocks out or shoots Bruce Wayne, apparently killing him, and kidnapping Vicki.

Bruce, it turns out, was carrying a metal tray or had some kind of bullet proof suit on and the bullet was stopped by said item.  Bruce leaps out the window after the two (who still think he’s dead) and jumps from building to building (sans Batman suit) while pursuing them, in touch with Alfred and telling him where he is so that he can bring the Batman suit to him.  Eventually, he does.

Yet again, I must warn you: I’m going by very old memories here, so some of the details presented above may not be quite right, but this sequence, obviously, wasn’t part of the Batman film.

A curiosity, for sure!

 

Which classic novel did you quit reading half-way through…?

At times the people at io9.com offer a forum for their readers to offer their opinions and I felt this one, the header of which is above, was particularly interesting:

http://io9.com/which-classic-novel-did-you-quit-reading-halfway-throug-1464702611

I offered a couple of examples of my own and won’t repeat them here (unless someone wants me to!), but suffice to say several of the choices posted by readers I both agree and disagree with.

Still, an interesting thing to “talk” about!

Corrosive Knights, 11/12/13 update

Two days ago I finally –finally– finished the fourth draft of my latest Corrosive Knights novel (Book #5 in the series).  Frankly, I was hoping that draft would take not too much more than a month or so to do and I would finish things up and have the book published by now.

Not the case, unfortunately.

The book is quite big, story-wise, and I believe I mentioned before that it could easily be broken into two separate books.  However, given what occurs within, I felt the novel was best served as being “done as one” rather than doing a breakup.

What caused me so much delay in this draft was the reworking of certain plot elements and the subsequent re-writing it entailed.  The first part of the book required little more than grammatical fix-ups. The story there was well set up with the exception of one segment early on that needed clarification/re-writes.  The second half of the book, though, cost me all this extra time.

I don’t want to get into too many details of the story itself, so suffice it to say that what weaknesses I felt were in this later half of the story have, for the most part, been fixed.  There is still work to do of course and I anticipate going through at least three to four more drafts before being comfortable enough to release the novel.  All that means is that instead of being available this year as I hoped and prayed, book #5 in the Corrosive Knights series will instead be done by early next year, perhaps in February or March.

Unlike what you may see in the movies or TV (I’m looking at you, Castle), writing takes considerable effort and time.  You don’t simply sit before your computer typing for a few “intense” hours and –voila!– your book is done.  At least for me, the process of writing a novel requires an incredible dedication and is an almost schizophrenic experience where you have to be your greatest fan as well as your worst critic simultaneously.

You have to show complete love for the work you’re doing while second guessing every step of the process with the hopes of making it better and better and better yet.

My latest novel, in its fourth draft, is far better than it was in its third draft.  The third draft, in turn, was several hundred times better than the second.  The first draft had the elements of the story but was missing huge chunks and could rightly be called little more than a story map or guideline rather than even a “rough” novel.

With each draft, the story elements are fixed a little more.  In time, I find myself moving away from fixing the story and more toward fixing the grammatical problems.  It is then that I know I’m getting close to the end.

We’ll see how draft #5 looks!

Corrosive MACN

Blockbuster, RIP

Interesting article by Dana Stevens for Slate magazine regarding the news that the owners of Blockbuster are closing all remaining retail centers, effectively ending the era of the big video rental stores:

http://www.slate.com/articles/arts/movies/2013/11/blockbuster_closing_why_even-those_of_us_who_hated_the_chain_will_miss_it.html

When Blockbuster first came along, there were more than a few “Mom & Pop” video stores around renting those pre-historic VHS tapes for film fans to watch.  Those who weren’t around back then don’t remember the way the film market used to be.  Recent movies took forever to be released to the home market and, when they were, they cost a lot to buy.  It wasn’t unheard of to see “new release” films go for as much as $50-85.  Further, that “new” film often took over a year -sometimes much more- before it even reached the home video market.  I distinctly recall the amazed reaction by many when the original Tim Burton directed Batman film was “quickly” released to video.  I can’t recall the exact time it took for the film to be released, but it was perhaps three to six months or so after its theatrical release, a turnaround that was completely unheard of back then but not so much now.

But this was the exception that eventually proved to be the rule.  Again, at the time and given the high price of films, video stores were a necessity.  If you didn’t rent and only bought the films you wanted, you would very quickly go quite broke.  When Blockbuster showed up, the Mom & Pop stores in my area were doomed.  These small stores couldn’t compete against the sheer bulk of material Blockbuster offered.

Even then, one had to be quick as even if Blockbuster had a large number of the latest “new” film available for rent, there were plenty of others trying to get their hands on it as well.

But for me the greatest thing about Blockbuster wasn’t so much the new and desired films, but their vast library of older classic films..  It was thanks to Blockbuster that I became aware of the movies of Stanley Kubrick.  It was also where I discovered Metropolis (the Giorgio Moroder version, which of course lead me to eventually want to see the original, uncut version) and Orpheus, two of my all time favorite films.

I could go on and on…

For all its flaws (and there were many) Blockbuster was a great place for its time.  The first big signs of trouble for the company probably came from the arrival of the DVD and the significant lowering of movie prices.  You could rent a film from Blockbuster for about $5 for three nights, but for another ten dollars or less you could purchase the DVD and own the film outright.

The straw that broke the camel’s back was likely the same as the one that killed music stores (and, sadly, looks to be doing the same to bookstores): computers and the internet.  Not to mention more choices in general.

Why would one go out to a Blockbuster to rent a film when you could Netflix it or stream it or Pay on Demand?  For those far less honest, you could steal a film via downloading it through one of many torrent sites.

So no, I’m not at all surprised Blockbuster has seen its end.  It was expected and, if anything, the only surprise one feels is that it lasted as long as it did.  Yet like Borders, like Circuit City, and like Peaches, I’ll miss her and the era she inhabited.

The world moves on and all that remains are the memories of what once was.

Two Sentence Horror Stories…the redux

A while back (you can read it here) I found an interesting bit on io9.com regarding two sentence horror stories.  Several of the ones featured in the article were genuinely chilling.

Salon.com has now presented twelve examples of the same, two sentence (very) brief thrillers/chillers.

Enjoy!

http://www.salon.com/2013/10/30/12_novelists_tell_their_scariest_bite_size_stories/

27 Insane (But True) Early Versions of Famous Characters

Fun list from Cracked.com featuring both early concepts and originally considered actors for some truly memorable roles/characters:

http://www.cracked.com/photoplasty_591_27-insane-but-true-early-versions-famous-characters_p27/#27

Some of the early actor considerations, like Burt Ward (TV’s Robin) originally considered for the role made famous by Dustin Hoffman in The Graduate, was known to me.  But John Travolta for Forrest Gump?  Interesting!  (I’ll repeat for the umpteenth time my favorite bit of original casting: Frank Sinatra as Dirty Harry!  Reportedly a painful finger injury made Mr. Sinatra bow out of the film as he didn’t think he could handle firing that massive 357 Magnum.  The role was offered to many other interesting names with various degrees of interest/disinterest, from Burt Lancaster to John Wayne to Robert Mitchum.  Eventually Clint Eastwood took over the job and Dirty Harry the movie and character arguably became the most famous/iconic role he ever played!)

Also like the revelation that Krusty the Clown was originally supposed to be Homer Simpson himself!  Makes sense as he did originally look an awful lot like Homer and the idea that Homer was secretly the character might have been an interesting concept for a few episodes.

Just goes to show that the creative process is rarely a very direct one.  People can come up with concepts and ideas but they are refined and changed over time and circumstance…sometimes giving far, far better results than were originally conceived!

 

Reelin’ In The Years…

Fascinating book review/overview of one Donald Fagen, of the band Steely Dan, whose memoir Eminent Hipsters was released:

http://www.slate.com/articles/news_and_politics/books/2013/10/donald_fagen_s-eminent_hipsters_reviewed.html

Author Seth Stevenson goes beyond simply reviewing the memoir to talking about being a fan of a now aging musical artist…and the feelings entailed in this as well as the artist’s interactions with his fans.

Though I’m no fan of Steely Dan and their music (there may have been a time long ago when I could tolerate -perhaps even appreciate- their music, but the seemingly constant overplaying of Steely Dan hits on the radio have long ago burned me out of any desire to hear any of those songs ever again), I nonetheless am fascinated with the article.

I’ve long been fascinated with the way fans view their favorite artists and the levels of “hero worship” sometimes given.  I realize I’m not making any huge, earth-shattering revelations when I say this, but the artists we admire are people just like us.  More talented, certainly.  Perhaps more outgoing.  Perhaps more driven.

But human nonetheless.

I love the music of Jim Morrison and The Doors.  However, almost everything I’ve read about Jim Morrison the person makes me cringe.  I do note, however, that a large part of the mystique built around Mr. Morrison’s life revolve around his -let’s put it kindly- indulgences and therefore its hard to judge him unless you were there and saw it yourself.  Sinner or saint, Jim Morrison was a very talented musician, and in the end that’s all that matters to me.

So with his review of Mr. Fagan’s memoir, Mr. Stevenson, who clearly loves the works of Fagan and Steely Dan, relates his difficulty in realizing his idol is…human.  And aging.  He notes his discomfort in reading Mr. Fagan’s journal entries at the end of the book, which state the following:

In the final chapter of his new quasi-memoir, Eminent Hipsters, Fagen reprints the personal journal he kept while on that Dukes of September tour. It paints a less electric portrait of his night at the Beacon, concluding with a harrumph: “Hometown gigs are a drag.” Fagen was still reeling from the suicide of his wife’s son, about a week before. He was cranky onstage, thrown off his game by all the “friends, relatives, doctors, etc.” dotting the crowd. Much of the rest of his tour diary is consumed with complaints about health problems, travel snafus, and the spotty acoustics in the venues. Some representative lines:

 “Ah, waking up in Tulsa on a midsummer morning with a wicked sinus headache.”

“I guess some Snapple leaked onto my MacBook Pro keyboard so that now some keys are sticky and make a disturbing sucking noise.”

“I’m hoping that Richard can get someone to do a CAT scan of my kidney. It still hurts.”

I’m amused by Mr. Stevenson’s passage and the notes he reprints because though they may surprise and (perhaps) depress Mr. Stevenson, these entries are probably representative of exactly the type of things that go through many artist’s minds.  Creating works of art is…work.  Performing in front of crowds, while fun for the crowds, is also work.  Nowadays many musical concerts are carefully planned and choreographed and therefore feature precious little spontaneous actions on the part of the performers.  If this is the case and the artist performs them many, many, many times in their current concert tour, the artist must at some point view the concert as something done on “auto-pilot”.

You hit your notes and you sing your songs and when it is over you get off the stage and on with your life.

So it isn’t surprising the artist may view a particular show through the prism of things that went wrong…both within the show and outside the show (sinus headaches, sticky MacBook keyboards).  And if the show went smoothly, then the artist did what s/he set out to do and its on to the next show.

Bumps in the road are inevitably more memorable than smooth sailing.

Bookstores in the age of e-readers

Interesting article by Harry McCracken for Time Magazine regarding Green Apple Books, a San Francisco bookstore, and how it is introducing -and dealing- with e-readers in their stores:

http://techland.time.com/2013/08/12/how-one-local-bookstore-is-dealing-with-the-e-book-revolution/

It is my sincerest hope that bookstores will continue to survive in some form or another into the future.  The logical side of me, however, feels that because of the various advantages tablets and e-readers have over brick and mortar stores, bookstores will either a) fade away entirely or b) morph into something more devoted to “nostalgia” or “collectible” material -and e-readers- than printed “new” works…which it seems Green Apple Books is indeed doing.

On the one hand, this is a very sad sign of the times.  As much as I like carrying around a virtual library in my tablet (same as carrying my entire music collection in an iPod), finding new books and authors has always been best for me while walking through a bookstore’s new books section and looking over the wares.  This is something that Amazon, as good a company as it is in getting product into people’s hands, hasn’t quite been able to successfully accomplish.  At least to me.

So, on the other hand, there may be a glimmer of optimism to be had for the continued success (if not sterling success) of a Green Apple Books.  Perhaps one day a store like this one will open in my area…